• CRONE TALES

    THE QUILLED WAND IN THE LIBRARY, a fairy tale for falling into Wonder

    There are thresholds which offer impossible glimpses. An old woman with chrysanthemums in her hair climbs to such places, uncaring what the risk is. All she wants is to be lost and thus found. All she wants is to find petals hidden within nettles. Do you see her pry open her windpipe to let it outpour? Words spill out to tell a tale of what is yet-to-come, and she doesn’t mind if you overhear. Come, listen.

    It’s up to you to make what meaning you will.

     

     

    The angel of death, who has soft gray wings and whose name is Cordelia, suffered the sting of shame and humiliation for having the job she had.

    She kept up with her work nevertheless. Leaping from a library made of towers in the sky, she unfurled her wings six furlongs in length to spiral down to the hazy earth below. And do what needed doing.

    It wasn’t that Cordelia disliked roaming the earth in her bare feet and whipping gown, wand in hand. She was quite the sight if anyone had been able to see her, for her head twisted this way and that. Her unbound crimson hair blew about the heart of her face in a beauty unmatched. 

    Listen! A fainting bell tolled as she sang a never-ending invocation.

    Come out,

    come out,

    wherever you are!

    Those on the brink of a last, tender breath would see—often through shut eyelids—Cordelia’s liquid black eyes. The sight was so astonishing that the dying would surrender all common notions of what it means to die. 

    For who could have imagined Cordelia and her wand?

    The angel of death would bend low and touch the tip of her wand to the windpipe of the fading one. And, move on, neatly parting ways with an escaping and fluttering soul whose destination she did not—as did so many others—pretend to comprehend.

    You might be surprised to know that the still-living oft glimpsed the footprints Cordelia trailed in her windy wake. Yet they found themselves unable to make sense of such an impossible sight. For Cordelia’s footprints did not resemble the shape of heel and toes. Rather, they took the shape of Mystery.

    This the people could not tolerate. They had forgotten how to practice the Way of Wonder.

    Upon return to her library towers in the sky, Cordelia tapped the tip of her wand to fresh parchment pages bound in a book. Words poured forth onto the empty pages in a haunting script, filling them with the story of a life lived unto its completion. 

    Storybook after storybook flowed from her wand and came to be placed on shelves. 

    It was one of those jobs that had to be done. Yet the work nettled Cordelia and she longed to feel proud and more worthwhile. A thousand nights she sighed with collapsed wings from her perch atop a tower, watching the cold and pale moon in the night sky swing on its pendulum, back and forth, back and forth, back and forth.

    One day a peculiar thing happened. Cordelia discovered an old woman waiting for her in the bookstacks.

    “What’s the wand for?” mewled the old woman.

    “Immortality,” said Cordelia. “My wand retrieves life stories so that they might be published for safe-keeping in this library. I’m the angel of death. It’s good work. At least, someone has to do it.”

    The old woman sniffed. “You don’t sound as if you esteem what you do.”

    Cordelia’s lips grew tight. “See here, I’m busy,” she said. “What do you want?”

    The old woman drew near to the making of storybooks. “Are you quite certain you have a firm handle on the service you are meant to provide?” she pointedly asked.

    Cordelia flung out her wings and stirred up a gale, knocking books from shelves. “I’ve been at this work for eons,” she snapped. “Literally, eons. I know what I’m doing.”

    “Are you sure that’s true?” mewled the old woman, and she left the room before Cordelia could think up a smart reply.  

    One day the old woman reappeared with a broom in her hand and set to sweeping. “You there,” she said. “I’ve thought a lot about that wand of yours, I can’t get it out of my head.”

    “It’s mine,” said Cordelia, tucking it in the gray feathers of her wings. “You can’t have it, if that’s what you’re thinking.”

    “No. I just wondered if it works on things besides forthcoming corpses.”

    Cordelia scowled. She did not approve of such talk. She found it morbid. Nevertheless, the old woman’s idea became a nettle the angel couldn’t leave be. Once alone, the angel touched her wand to a teacup. Next she tapped the wand to an empty page. To her astonishment, a melodramatic story unfurled, consisting mostly of who had liked or not liked the teacup and why.

    Cordelia’s knees buckled. “Oh my.” She blinked wildly. “Why, there’s an entirely new genre of storybooks to be published!”

    She quick got to work, roving the earth to collect the stories of wheelbarrows, hats, doorknockers, and more. I must tell you her enthusiasm for this project got wholly out of hand as she scampered and skipped and spun and tapped her wand upon everything in sight. For you see, in a frenzy of glee, she accidentally touched the cheek of a healthy—if drab and weepy—young maid at work in a castle kitchen.  

    Both maid and angel of death gasped.

    Cordelia flew in haphazard tempest back to her library towers.

    The next morning the old woman went looking for Cordelia and couldn’t find her. She mewled:

    Come out,

    come out,

    wherever you are!

    Cordelia’ soft gray wing trembled from behind a bookshelf where she was hiding. 

    The old woman drifted in the maze of bookstacks to find the angel. “Come see what you’ve done,” she said.

    Cordelia wept but the old woman was unmoved. She dragged the angel up twirling stairsteps to the tallest tower’s look-out to gaze down upon the earth.

    “Charming, isn’t it?” mewled the old woman. She pointed out a gleaming wheelbarrow reflecting sunlight, a vividly colored hat catching many an eye, and a doorknocker that so glowed with welcome that a lonely crowd had gathered.

    Yet Cordelia wept.  

    “Whatever is wrong, child?” mewled the old woman.

    “I did a shameful thing to someone I shouldn’t have.”  

    “Oh. Well, go and see if amends can be made. What else can be done?”  

    Cordelia toppled out of the tower to plummet to the earth. She revisited the castle where she’d carelessly touched her wand to the drab and weepy maid. At first, Cordelia couldn’t find the maid and feared the worst. But then…

    The maid twirled into the kitchen with a bright and shiny face. She stirred a pot of porridge as she swished her skirts. Even more bewildering, bluebirds arrived through a window to flock about the maid. Who smiled. Who held out a finger to make a tiny talon’s perch, and then—

    Sang more beautifully than any soprano saint in a faerie-land church.

    Cordelia withdrew and soared to her library where the old woman waited pretty as you please.

    “I took a kitchen maid’s story by mistake,” confessed Cordelia. She paced, her wings quivering with curiosity. “Yet she seems well and good. In fact, the maid appears as content as a princess! I think…I think…those with lives left to live need my wand, too. Do you think this could be true?”

    “Old women have sense. Of course I do.”

    The pendulum of the moon swung back and forth, back and forth, back and forth whilst Cordelia worked overtime.

    Late one afternoon the old woman stood beside Cordelia in her library, which was fast expanding due to the added work of tending to the living as well as to the dying.

    “This is all so exhilarating,” said Cordelia. She sat heavily in a chair and took a long drink of seeded pomegranate juice. “The people are so fresh and new. They even smell like flowers. It’s as if a haunting is being lifted. Who knew?”

    “It’s wonderful,” agreed the old woman. “But I don’t know how you can keep this up. You’re exhausted! If only you could coax those on the earth to do this work for themselves…” And she told the angel her impossible idea right there in the heavenly shelves.

    Together the old woman and Cordelia created a legion of wands—but with feather quills added to fill with ink.

    Come Midsummer’s Eve, Cordelia was ready. She delivered a quilled wand and book of blank parchment to every dwelling across the earth—and to pilgrims, too, those seeking types who travel to and fro. For the angel of death forgets no one.

    Ever.

    As you well know.

    This is how it came to pass that any soul—whether servant, merchant, king, or queen—released the story of their day onto the crackle of parchment to render their minds sage green and pristine.

    And so, each night brought fresh little deaths, with people being reborn come morning with a much sweeter breath.

    And so, Cordelia beheld new dawns arrive on the earth, dawns spectacularly untethered to whatever had gone on before. 

    “My work contained a treasure, and I never even knew!” said Cordelia to the old woman. “And I have you to thank for helping me find it. I’ve been meaning to ask. Who are you?”

    “I have no idea,” mewled the old woman. “Yet here I am! I’ve been meaning to ask. Who are you?” And she snatched the wand from Cordelia’s hand.

    “No, don’t!” cried out Cordelia.

    Touching the tip of the wand to the angel’s windpipe, the old woman mewled:

    Come out,

    come out,

    whatever the story may be!

    Next the wand tapped a huge tome of blank parchment which the old woman had secretly prepared. Cordelia’s story soaked the pages. I can tell you this took some time, with many swings of a moon’s pendulum passing. And all the while the angel swooned and felt as if she might die.

    When it was over, and the tome closed, Cordelia stood bolt upright. “But what is there to say about me now?” she asked, holding a hand to her forehead. “There’s no story left inside me…”

    The old woman took in the sight of the angel of death. “I’d say you’re bright and new. True. With no story able to contain or restrain you.” 

    Cordelia leaned against a bookshelf, toppling it. There came a cloud about her—it rose like ash.

    “Oh my,” said Cordelia. “I feel as if I’ve just now been born. I must weigh no more than petals on the curl of a breeze. I have no idea what to expect of myself—or of this day in the world! It’s magnificent. Oh my. I am…I am…FREE.”

    She lifted her wings in exultation. Bright hues caught the corner of her eye, and our beloved angel of death let out an infinite sigh. 

    For the soft petal-gray of Cordelia’s feathers were no more. Instead feathers of orange, red, and gold blared like a holy trumpet.

    Ever after, Cordelia wrote in her parchment tome with her own lovingly-fashioned quilled wand. How enraptured she was at the novelty of what she wrote each evening after her supper! Do you understand? Wondrous surprises, hidden in the Beginning and waiting to be brought into Being, come easily to days begun in wordlessness.

    Ever after, Cordelia felt flouncy and free to be.

    Ever after, when she roamed the earth, people gathered in Wonder over the prints of her bare feet. For they loved acquainting themselves with Mystery. And they would excitedly say,

    “Look here, it’s the mark of the Phoenix!”

    And they would smile at one another, take a New Breath, and commence the day’s hunt for petaled treasures in the nettles of their work. 

    What came of all this was a New Earth…in the yet-to-come.

     

    If you enjoyed this tale of finding hidden treasure in what stings, and wish to be further soothed into Wonder, you can receive new Crone Tales for free as they are written. I hope you SUBSCRIBE  🙂

    Featured photo of towers in sky by Donna Kirby

    Image of old woman is by Belgian painter Louise De Hem

    PLEASE LEAVE A COMMENT BELOW SO THE CRONE CAN KNOW WHAT YOU FELT ABOUT HER TALE! 

  • CRONE TALES

    THE WITCH ON THE MOON-CARVED CLIFFS, a fairy tale for enlightenment and wonder

    Fate does what it likes. Do not faint away. The follies of men bow beneath the fierce Prevailing Wind—come from the Beginning—into unexpected good. Here is our Crone with a story to tell. She walks a garden growing wild, its fetching pearl leaves carved by the moon. Come, listen.

    You’re invited to make what meaning you will.

     

     

    A mother who felt as if all the natural world was her body stood trial before a hoard of men. For witchery, she was swiftly condemned.  

    The love of miraculous workings meant banishment to a tower battered by endless maelstroms upon an island far, far away in a dark sea. And so the mother clung to her three little daughters in the rotten belly of a creaking ship.

    When at last they were brought on deck, the mother and her little daughters beheld cliffs carved by the moon—their new home. The captain’s men went to toss them overboard despite the mother’s frantic pleas.

    “Witches float and we men know it,” said the captain. “We’ll not be deceived! Nor shall we perish ourselves upon sharp rocks.”

    Neither the mother nor her three daughters were fated to drown. A sudden wave carried them to watery caves, and up through ancient stone tunnels they climbed to take up residence in a bleak tower. There they found heavy cloaks to don so that they might walk the edges of cliffs and love one another as best they could beside a violent sea.

    The daughters grew into young women, and one inevitable day a feather found its way to the birdless island with its waves crashing against moon-chiseled cliffs. This feather was the exact, hated ingredient the mother needed. She buried the feather within the folds of her black cloak, and there it stayed for countless nights as she practiced grief.

    In an exquisite act of love, the mother faced reality. She conjured a raven from the feather and gave it the wings of a phantom ship. Then she kissed her firstborn goodbye.

    “You shall be the first to be saved from this vile exile,” said the mother.

    “But I like it here with the battered sky and bruised waves,” protested the eldest daughter. “Not only that. I love the echoing of our tower, the floors of rotted timber, and the iron stairs crusted with salt. Is it not perfect? I feel as if I live inside a drowned ship!” At this, the eldest daughter hugged herself and twirled with delight. Still, she was an obedient child and offered herself up to the talons of the raven to carry her back to the normal world.

    As is the case with all birds, this raven possessed a mind of its own and released the eldest daughter from its talons. Thus she plummeted through thunder into the vast seawater.

    In times of dire need, a mother’s love may work quick magic. This was one of those times. A spell arrived like a despised gift on the mother’s lips, so that the eldest daughter transformed into a mermaid before she could drown.  

    “Come back to me,” cried out the mother as she held fast to her remaining daughters in the bitter, slashing rain.

    The eldest daughter did not return, though the mother could see her pale face upon the crests of salty swells, her hair already tangled with seaweed and the flush of her cheeks turned green.   

    The middle daughter couldn’t get over what had happened to her big sister. She asked to be a mermaid, too, but the mother balked.

    “Don’t be silly,” said the mother. “I will find a way to return you to the normal world where you are meant to be. Pretty dresses will be there for you to wear.”

    The middle daughter wasn’t having it. She didn’t want to be pretty, she wanted to have fun. She wished for excitement and a powerful tail. It so happened this daughter possessed her own woman’s talent and took matters into her own hands.

    Her first fledgling tries merely produced an oily smell to her breath. Yet did the middle daughter work and work with words. In secret did she tweak her impassioned spell. When it felt right, she whispered a carefully composed combination of syllables between sips of saltwater from a conch shell and that did the trick.

    When the middle daughter didn’t come in from the cliffs that night, the mother looked out to see the silhouette of her defiant daughter missing her legs and flopping toward the edge of the cliffs in an enormous black and pearl-scaled tail.

    The mother fell into despair to see her lovely daughter trying to find her way home to one that was not her own.

    “No, come back!” screamed the mother, but it was too late. Her middle daughter plunged over the cliffs with her monstrous tail and into the stealing sea.

    The mother grieved. She pointed a broken heart at her youngest daughter. “Don’t even think about it,” she said.

    Yet young ones were never meant to comprehend the suffering of a mother.

    This last daughter took up eating the crunchy shells of crabs until her every tooth was broken to a sharp point. Unable to resist the call of the wild any longer, she ran and leaped from the cliffs with her begging mother chasing after.

    The youngest daughter swam out, out, out as if she had no fear inside herself whatsoever. The inevitable happened as usual and her pretty head slipped beneath the roiling sea.

    You must understand, the mother had no choice. She fell to her knees, lifted her arms, and screeched the awful spell into howling winds rather than have her beloved child drown.

    Now we see the mother in her cloak on the moon-carved cliffs, alone.

    She’ll be the same as her child nevermore.

    Can you feel it? The wind blows colder than it did before.

    Lean closer to the fire. I will tell you how this story goes on as it must, as all life stories do. For as you know from this tale so far, not even a witch can control the way Life moves.  

    The mermaid-daughters visited their mother from time to time. Though it wasn’t possible to climb up through the watery caves without legs, how easy and fun it was to ride the waves to land upon high rocks! Then would the mother sit with her face buried deep inside the hood of her black cloak, gazing down with watery eyes from a cliff’s edge.

    She listened to mermaid-daughters tell of incomprehensible things, such as the fun of hunting mackerel freshly escaped from the cruelty of a fishermen’s net. Her daughters jabbered about the squirt of a squid’s ink and how it might be collected to stain their lips. At times they grew serious, speaking of the need to discern how it is that underwater winds work to make rivers in the sea.  

    The mother pretended. She nodded when her daughters frowned or twisted hair in frustration over ships that wouldn’t go down.

    The mother pretended. She nodded as if perfectly understanding the pleasant wait required before letting out a long-held breath that arrived sweet, and profound.  

    How strange to the mother her daughters had become! For when lightning failed to strike close enough to their liking, they cursed in anger.

    This, then, was a new grief. The mother gazed at her daughters and felt unreal, as if she had lost her own body.   

    “My own children are a mystery to me,” said the mother. “I try but cannot understand these lives they live.” And shame attached itself to grief, which happens more often than you might think. 

    The mermaid-daughters vanished for a season to follow the fish. The mother’s mind teetered, and she feared being left to her asylum. She walked the weather-ravaged cliffs on the lookout for passing ships. Yet none came to her, for her island was too silent.   

    One bleak morning the mother broke a nail to the quick while scratching caked salt from the tower’s twirling stairsteps. She stood with a cry and took a wrong step. When her somersaulting ended, she lay crooked on her back and staring up at spidery rafters. There, she spied witchery-things which long ago she’d hidden in a flour sack and tied up high with corset string.

    A haunting settled itself over her soul. She decided to reminisce.

    By a window, the mother turned parchment pages of what men once called an evil book. She examined her old drawings of things which grow in the earth. And sighed. Another rummage in the flour sack produced a forgotten satchel of birdseed collected under a spoon-blue moon.

    Despite knowing better, the mother felt an old thrill.

    “Once I was a witch,” whispered the mother. A grin came against her will, and she covered it quick.

    What was natural took over whether the mother liked it or not. She found little need for sleep that oddly stormless night. Rather, she whiled the secret hours tossing birdseed from the edges of the cliffs until bluebirds blushed the moon pink with their secret messages.

    When an urge to dig overwhelmed the mother, she unearthed forgotten roots which still existed. These she coaxed into life with tender verbs.

    “Old roots reach for the sky best of all,” she said.  

    Come the dawn, an idea burst into the mother’s head. She brought together pieces of shattered keepsakes, strands of seaweed, and her own white hair. From this meaningful assortment of ingredients she fashioned a circle, the shape witches rightly revere. Tossing back the hood of her cloak, she set the wreath upon her head.

    It burst into blooms. Pink ones, and cherry red.  

    Far away where the sea plunges to its darkest and deepest, the mermaid-daughters surfaced. They swept mighty tails to lift their seaweed-tangled hair well above the waves and listened to what sounded like a wild woman’s merry-making. 

    Intrigued, they returned to the moon-carved cliffs and got a shock. For they had quite forgotten what it was to behold their mother overcome by outrageous creativity.

    It was a sight they could hardly believe.

    “Mother, here we are on the high rocks,” called out the mermaid-daughters. “Come tell us what has gotten into you!”

    And so, three astonished mermaids listened as their mother talked on the subject of incomprehensible things, such as the merits of juicing windberry roots with fallen eyelashes on wishful days. Not only that. Their mother jabbered about collecting sunbeams in tarnished thimbles and how the celestial light might be used to magnify wondrous, if tiny, things.

    At times their mother grew serious. She spoke of turret spiders getting themselves caught up in a winter’s gale and what might be done to help them.

    The mermaid-daughters pretended. They nodded as their mother frowned and twisted her hair, as if they perfectly understood the frustration that comes of a mushroom refusing to turn itself purple-dotted.  

    And when a cold wave caught their mother full in the face, she cursed—cursed! She did it as competently as any sailor. The mermaid-daughters knew of such stunning curses, for they enjoyed catching sailors beneath a waning moon. (The mermaid-daughters were very big on waning moons, under the light of which they would lower their chins and stare up from the waves with spellbinding siren eyes.)

    Yet now their attention caught on their mother, who covered her mouth quick as if to stop the sheer DAZING curse which had already gotten loose.

    There came a pregnant pause. Then did the mermaid-daughters fall from their rocks. The mother listened to deafening squeals which she rightly guessed to be the racket mermaids make—

    When they howl with laughter.   

    This vision of mirth infected the mother, no different than the sight of tears has power to do. It did not matter that she possessed no understanding of what her daughters laughed at.

    The mother couldn’t help it. She burst into laughter, too. After all. It’s the way of things for a feeling in one person to jump into another. No knowing of a reason is needed for this to happen.

    Hasn’t this happened to you?

    The mother snorted with hilarity. She could not stop, and this set the daughters off even worse. Laughter took their breath away.

    As did their spirited mother.

    After this the mother-witch didn’t bother fretting over the details of whatever her mermaid daughters spoke of. She simply and open-heartedly witnessed their joys, their sorrows, their fantastic curiosities.

    Their feelings she well understood.

    This is how the mermaid-daughters came to feel utterly known and cherished.   

    How exactly alike the mother and her daughters were underneath witchy wreaths and temperamental tails! They had come to live in very different worlds, yet did they experience those different worlds in the very same ways.

    As if they were One Body.

    You may think on this now, for the story is done.  

    Except for its proper fairy tale ending:

    Three summers and eleven winters after, a ship of condemning men passed by the island with its cliffs carved by the moon. And there was heard a raucous cackling and soprano squealing carried on the winds.

    These men couldn’t help laughing, too. They naively turned their sails to go and see…

    Beneath a waning moon.

     

    The experience of things is ever so much greater (and unifying) than the knowledge of things. This makes us all more alike than we commonly perceive.

    It makes us The Same.

    “Where you are understood, you are at home.” ~John O’Donohue, from Anam Cara

    If you found this tale of One Body soothing, you might like more of the Crone’s fairy tales. You’re cordially invited to SUBSCRIBE. 🙂

    And pretty please LEAVE A COMMENT below! It helps me to know what readers like in stories and encourages me to keep writing these tales.

    I wish you many WHOOSHES OF WONDER on this day which has so impossibly found all of us here together.

    ~Cricket

     

    Image Credits:

    Featured image of ship on stormy sea by Bruce Bouley

    Tower by Caroline Sattler

    Mermaid <a href=’https://pngtree.com/so/mermaid-clipart’>mermaid clipart png from pngtree.com</a>

    Pink moon <a href=’https://pngtree.com/so/pink-moon’>pink moon png from pngtree.com</a>

    Mermaid on fish by famed illustrator Arthur Rackham

  • CRONE TALES

    THE GOSSAMER QUEEN, a fairy tale for falling into wonder

    Bells toll and a bright wind blows. There is more going on, unseen, than is commonly known. Spiders weave delicate threads on a sleeping face. A river flows. A crone walks alongside the waters between this life and another, crooning a tale which others dare not speak or quite believe. Come, listen.

    You’re invited to make what meaning you will.

     

     

    There once was a queen who had lived many years and found herself besieged by dread in the early winter of her life.

    “It’s only downhill from here,” said the queen. “This won’t end on a good note.” But she was hushed and patted on the hand and brought fine wine to drink.

    She spent her days upon the throne, with the people seemingly revering her though she no longer made decisions on her own. Never was she allowed to walk outside the castle which could best be described as a clump of towers beside a perilous waterfall and churning river. This made for a misted land painted in greys and greens, which as you know calls for dragons.

    The queen often peered from her tower window at a silver river dragon which had taken to dwelling in the emerald waters beneath the waterfall. Know this. Rather than fire, river dragons breathe ice. This is how the queen’s people came to shiver in fear of a bitter winter coming.   

    “Why has this river dragon come to our green land?” asked the people. “What magic can soothe us now?”   

    The queen contemplated the silvered dragon. How she envied the creature. She supposed a dragon must be a true beast of Life itself, so very alive and strong and not at all worried about bad endings.

    One night the queen stood at her open castle window and wished upon a star. “If only my life could end on a good note…” she said and then went to bed to begin a fitful sleep.

    Doing the star’s bidding, faeries of the wind entered the royal bedchamber and wrapped the queen in gossamer.

    Morning came. The queen woke and sat up in her bed to take her breakfast. But upon entry to the royal bedchamber, a servant dropped the tray of the usual green pea juice and lettuce.  

    “The queen is dead!” howled the servant and ran away. This is when the queen caught sight of her reflection in a mirror. She beheld her gossamer wrapping.  

    “Would you look at that,” said the queen. And she was sheer amazed. She spent the day roaming the castle searching for mirrors. As her new attire was so intriguing, it was hard to be disconcerted even as everyone about her set to screaming.

    “Surely,” thought the queen come evening, “the jig will be up when they realize I cannot pass through solid things.”

    She deliberately threw herself against walls, but all that happened come morning was talk about the queen who goes bump in the night.

    With no one willing to return her to the useless throne, the queen did as she pleased. She became like an orphaned child and tottered herself right out of the castle and down to the fearsome tumbling river, something she’d not done in years.  

    The queen lifted her ghostly face to the waterfall mists. The gossamer wrapped around her head, so she couldn’t see properly and went to step into the deep pool of green water churning beneath the waterfall.

    The river dragon, silver-scaled and aglow, opened one eye and recognized the queen’s peril. It snorted from one nostril. Bubbles floated up and turned to ice. This made a cobbled if slippery path upon the surface of the river to tread upon, and the queen’s frail arms windmilled as she tried to keep her balance.

    “Our dead queen is beckoning us into the river that ends in death,” wailed the people. For they knew the river flowed to the very edge of the tilted plate that was the earth. From there one went over. Into what, no one knew.

    Hearing their terror, the queen tried to speak. Yet the gossamer wrapped over her mouth made words impossible. She could only moan, and this convinced the last disbelievers that she was indeed dead as dead can be.  

    “Perhaps if they see me sink, they will know I’m not a ghost,” the queen reasoned and threw herself into the river.

    She sank to the dusky depths and found herself eye to gossamered eye with the silvered dragon. Water sifted through the ghostly mesh over her mouth and nose and began to spill into her lungs.

    The river dragon yawned a freezing breath. Before a royal drowning could fully take place, a block of ice formed to encase the gossamered queen. 

    She floated up, up, up like a fishing cork. The queen breached the surface of the river and came down with an impressive splash upon its misted surface.   

    The people marveled at the sight of their queen preserved in a coffin of crystal-clear ice. Fools that they were, they did nothing to retrieve her. Instead they chatted and watched with wide eyes as she twirled in her icebox, caught in the swirling eddies.   

    “I shall never, ever wish upon a star again,” thought the frozen and gossamered queen. “This is all going downhill even faster than I expected.” And she felt full betrayed. Yet here is the truth. The star loved the queen and offered her a storied fate.

    For everyone loves a sleeping beauty.

    Winter came and as expected, the river dragon climbed dripping from the emerald river to breathe a fierce freeze over the verdant land. Snow drifted to weigh heavy upon the capped castle towers. The waterfall dried into icicle drapes.

    The grey mist vanished in mere hours.

    A brilliant winter sun shone down upon the icy coffin which spun in the river eddies. The currents simply would not take the queen away, much to the people’s discomfort and dismay.

    And so, the gossamered queen stared up through frozen, open eyes to witness a most extraordinary thing.

    Faeries on the wind.

    Their cheeky faces took shape on brisk gales. Stubby paint brushes tipped their wings which—prettily—fluttered to resemble a butterfly’s powdered sails.

    The faeries painted the world however they pleased, not only in greys and misted greens. Colors which the queen had never seen came to be. And for the first time ever in her grown-up life, she expected that unbelievable magic must happen with ease after all. 

    This meant she could be wrong about the certainty of a great many scary and serious things.

    Wonder struck. It happened with such grace, like a child tumbling with delight as she rolls downhill.

    An old woman’s laughter rocked her icy coffin and loosed it from the eddies. She flowed. The river upon the tilted plate of the earth carried her to the edge, and she spilled over into

    she-knew-not-what

    while a lovely last note played. 

    She fell with no effort whatsoever into wings tipped in paint-dipped brushes. 

     

    Everyone loves a sleeping beauty, and sleeping beauties always wake. 

     

    EPILOGUE

    After this, the queen fluttered and colored the land and river downhill from the castle in hues the people never knew existed, and in quiet moments they got a peek of an astonishing palette. To give such inevitable glimpses of Bursting Beauty is the purpose of every queen’s open hand.

    This is true whether her reach encompasses heaven, a castle, or even a modest cottage upon a patch of land.     

     

    “In the depths of winter, I finally learned that within me there lay an invincible summer.” Albert Camus

    “Don’t be afraid. There are exquisite things in store for you. This is merely the beginning.” Oscar Wilde

    If you felt soothed by this little story and wish to be well-acquainted with Wonder, I hope you SUBSCRIBE TO CRONE TALES. They are freely given.

    Pretty please leave a comment below so I can know your thoughts or feelings on this fairy tale! What do you think of the Crone turning Sleeping Beauty into Bursting Beauty? 

    Image Credits

    Featured image of castle by Jasmine

    Ghostly queen in mirror by Gilbert

    Dragon eye by Chirstonna

    Dragon on cliff found at https://www.walpaperlist.com/2020/01/white-dragon-wallpaper-hd.html

    Blue castle by Edmund Dulac

  • CRONE TALES

    THE CHAMBERMAID IN BRIARS, a fairy tale for enlightenment

    The Crone stands dizzy in her windy doorway. Is it the full moon that woke her, or the scent of white roses? Stars trail jagged white lines like briars in the skies, and she finds herself caught between heaven and earth, hearing both truth and lies. Her heart with a tale is like unto a village—stitched and intertwined. Come, listen.

    You’re invited to make what meaning you will.

     

     

    A chambermaid woke on a chill morning in her bed with a briar sprouted from her chest.

    There, it tangled into a thorned nest over her heart. She told no one. How she cried to have become a monster! Yet she considered it inevitable. Time and again had she noticed something wrong with herself, how she was different from others. Parties did not excite her. She preferred to be alone rather than say foolish things for others to hear. She found herself unwilling to reach out to others and pretended not to see their need, for all she could manage was her own relentless fear of being seen.

    “You made me wrong,” she declared to the heavens, and knew it to be true.

    Come midnight, this chambermaid stole down to the gardens outside the crumbling castle. As it happened, a hedgewitch cared for the queen’s gardens using a witch’s green art. She wasn’t one of those skinny witches, but a big round fat one, as juicy as an apple. The chambermaid took care not to be seen by the hedgewitch. She gathered what ingredients she needed to make a poultice for her heart and left quick as a rabbit.

    The chambermaid woke each morning thereafter to find a new briar protruding from somewhere on her form. Briars twisted down her legs, twined to cut the flesh of her belly, and pierced her arms with a peculiar type of curled thorn. Soon it became necessary for our chambermaid to wear extra layers of clothing to soak up the blood—and most important, to hide the briars from view and bad opinion.

    One moonlit midnight, the chambermaid gathered her poultice ingredients as usual in the castle gardens. The fat hedgewitch, who smelled of honey and was not unknowing of stealthy visits to her garden, noticed a stray briar peeking out from the high collar at the chambermaid’s neck, and another piercing her skirt.  

    The hedgewitch stepped into view. “Let me help you, my belle.”   

    “Leave me be!” said the chambermaid. “Can’t you see? There is something very wrong with me.”

    The hedgewitch held up her gardening shears. She coaxed and cooed. The chambermaid shed her bloody and thorn-ripped clothing and stood naked, shivering beneath a slivered moon.

    Snip, snip, snip.

    The hedgewitch used her shears to cut away the briars from the chambermaid’s poor body from toe to brow. All was not made well. Still the briars grew when the chambermaid slept each night, for the poison had to get out somehow.

    Poison always comes out.

    Snip, snip, snip.

    Both chambermaid and hedgewitch wearied of a nightly pruning of briars.

    “Enough is enough,” said the hedgewitch. “We must choke out these briar-lies!” Then did she plant seeds beneath the chambermaid’s skin.   

    A white chrysanthemum bloomed at one corner of the chambermaid’s mouth, and on the other side a red poppy. This is how she came to have dimples of blossoms. In days thereafter blooms so covered the chambermaid that no briars could take root. She no longer had use for clothing of the ordinary sort.   

    “I am a monster no more,” said the chambermaid in a fit of fragrant glory. And she was happy for a time.

    Summer came. The chambermaid visited the hedgewitch in her garden with a new problem. Betrothed to a miller’s son, she wept in fear that she might revolt him come her wedding night.

    “There will be no hiding the ugliness which dwells beneath these flowers,” said the chambermaid. She trembled and raised a cloud of golden pollen. “What will my love think when he touches my scarred flesh? He will surely turn away, and my wounds shall be made new. I cannot bear it! Can’t you see? Intimacy simply isn’t meant for me.”

    “Oh, go back to bed,” said the hedgewitch.   

    Once the night turned deep and still, the hedgewitch brought forth an ancient book of poem-spells composed by oak trees. The hedgewitch crushed flowers upon her tongue, cradled the ancient book in one swollen arm, and read strange syllables from a parchment page meant to brew a healing balm.  

    A divine dust rained down on the castle. All who slept inside woke and followed silvered sparks outside into the gardens.

    The chambermaid was the last to prance sleeping from the castle. In the garden she found bodies strewn upon the ground, and spirits of all those from her life at the castle waltzing in the full moonlight together. How surprised the chambermaid was to see the queen’s spirit waltzing with the spirit of her worst enemy—the king. The most vicious guards pointed their toes alongside priests. And there! Those who had once forgotten the very existence of the chambermaid—or judged her selfishness—now excitedly beckoned her to join in the silent waltz.

    The hedgewitch herself brushed past the chambermaid like a big revolving globe. Briefly—their eyes met. And the gaze was everlasting, with no beginning and no end.  

    Spin, spin, spin.

    Under a poem-spell, the chambermaid dropped her body to the ground as she once had her clothing for briar-pruning, simple as that.

    Holding her breath and closing her eyes, the chambermaid held out a cupped hand.

    She waltzed and whirled, as drunken and drowsy with true love as the heavens which look down upon a spinning earth. The chambermaid twirled into Wonder. Her vision cleared to match that of the heavens, for all the dancers spun so fast that their many faces blurred into One.

    She saw what is seen from above. 

    Spin, spin, spin.

    A knowing came unto the chambermaid. She would not marry the miller’s son. It was too late for that, for in this One dance it was impossible to see and love a separate anyone at all. What happened next was only natural and what you might expect. 

    The chambermaid dissolved into a poem.

    The hedgewitch fit this new verse—which was once a chambermaid—into her ancient book. Thereafter, she spoke the chambermaid-poem to anyone suffering the affliction of briars. For the poem gave rise to a thorned stem that grew a single white petal so inviting that a thousand bees landed upon its cupped hand.

    And all the castle’s people grew sweet as honey and as swollen with bee stings as was the hedgewitch. For she applied the chambermaid-poem as the silky balm it was. This made queen, king, and servants so soft they more easily smoothed into one another.

    The heavens took over after this, spinning the earth to spread the poem-balm both near and far away.

    Spin, spin, spin. The verse appeared as bright pollen carried on a honeyed wind.

    For all who hear the chambermaid-poem even today, a briar’s spell is broken and a white petal is added to a single, long-stemmed rose. This makes the heavens too love-drunk-drowsy to do anything other than keep spinning the earth and make intimate what seems to be not. 

    This is the only alchemy that interests the heavens in any way whatsoever. The remaking into One is the one and only divine plot.

    Now you know why—in every corner of this earth—twirling with cupped hands is a gesture of Love.

     

    Aristotle is supposed to have said: “Love is composed of a single soul inhabiting two bodies.” I wonder if it could be truer to say, “Love is composed of a single soul inhabiting all bodies.”

    One wonders how else peace on earth can ever happen.

     

    And when love speaks,

    the voice of all the gods

    make Heaven drowsy

    with the harmony

    ~Shakespeare

    (Notice the Bard gives the gods a single voice.)

    If you found yourself twirling with cupped hands by the end of this story, I invite you to subscribe to CRONE TALES. It’s free, and I write one or two new tales a month to help pitch you into wonder and enlightenment 🙂

    Curious as to what inspired this tale as I sat to write? It’s a song by King Harvest. Here you go:

    DANCING IN THE MOONLIGHT

    We get it on most every night
    And when that old moon gets so big and bright
    It’s a supernatural delight
    Everybody was dancin’ in the moonlight
    Everybody here is outta sight
    They don’t bark and they don’t bite
    They keep things loose, they keep things light
    Everybody was dancin’ in the moonlight
    Dancin’ in the moonlight
    Everybody’s feelin’ warm and right
    It’s such a fine and natural sight
    Everybody’s dancin’ in the moonlight
    We like our fun and we never fight
    You can’t dance and stay uptight
    It’s a supernatural delight
    Everybody was dancin’ in the moonlight
    Dancin’ in the moonlight
    Everybody’s feelin’ warm and right
    It’s such a fine and natural sight
    Everybody’s dancin’ in the moonlight

    PRETTY PLEASE LEAVE A COMMENT BELOW! I WOULD LOVE TO HEAR HOW YOU RECEIVED THE CRONE’S TALE. 

    IMAGE CREDITS:

    Featured image: <a href=’https://pngtree.com/so/retro-texture’>retro texture png from pngtree.com</a>

    Image of briars: kisspng-tree-branch-snag-clip-art-tree-top-view-5abc67dd68d106.7605402215222967974293

    Image of book by Gerhard G.

    Woman dancing beneath moon: a href=’httpspngtree.comsoaugust-15’august 15 png from pngtree.coma

    Girl dancing on flower: <a href=’https://pngtree.com/so/wallpaper’>wallpaper png from pngtree.com</a>