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THE GOSSAMER QUEEN, a fairy tale for falling into wonder
Bells toll and a bright wind blows. There is more going on, unseen, than is commonly known. Spiders weave delicate threads on a sleeping face. A river flows. A crone walks alongside the waters between this life and another, crooning a tale which others dare not speak or quite believe. Come, listen.
Youâre invited to make what meaning you will.
There once was a queen who had lived many years and found herself besieged by dread in the early winter of her life.
âItâs only downhill from here,â said the queen. âThis wonât end on a good note.â But she was hushed and patted on the hand and brought fine wine to drink.
She spent her days upon the throne, with the people seemingly revering her though she no longer made decisions on her own. Never was she allowed to walk outside the castle which could best be described as a clump of towers beside a perilous waterfall and churning river. This made for a misted land painted in greys and greens, which as you know calls for dragons.
The queen often peered from her tower window at a silver river dragon which had taken to dwelling in the emerald waters beneath the waterfall. Know this. Rather than fire, river dragons breathe ice. This is how the queenâs people came to shiver in fear of a bitter winter coming. Â
âWhy has this river dragon come to our green land?â asked the people. âWhat magic can soothe us now?” Â
The queen contemplated the silvered dragon. How she envied the creature. She supposed a dragon must be a true beast of Life itself, so very alive and strong and not at all worried about bad endings.
One night the queen stood at her open castle window and wished upon a star. âIf only my life could end on a good noteâŚâ she said and then went to bed to begin a fitful sleep.
Doing the star’s bidding, faeries of the wind entered the royal bedchamber and wrapped the queen in gossamer.
Morning came. The queen woke and sat up in her bed to take her breakfast. But upon entry to the royal bedchamber, a servant dropped the tray of the usual green pea juice and lettuce. Â
âThe queen is dead!â howled the servant and ran away. This is when the queen caught sight of her reflection in a mirror. She beheld her gossamer wrapping. Â
âWould you look at that,â said the queen. And she was sheer amazed. She spent the day roaming the castle searching for mirrors. As her new attire was so intriguing, it was hard to be disconcerted even as everyone about her set to screaming.
âSurely,â thought the queen come evening, âthe jig will be up when they realize I cannot pass through solid things.â
She deliberately threw herself against walls, but all that happened come morning was talk about the queen who goes bump in the night.
With no one willing to return her to the useless throne, the queen did as she pleased. She became like an orphaned child and tottered herself right out of the castle and down to the fearsome tumbling river, something sheâd not done in years. Â
The queen lifted her ghostly face to the waterfall mists. The gossamer wrapped around her head, so she couldnât see properly and went to step into the deep pool of green water churning beneath the waterfall.
The river dragon, silver-scaled and aglow, opened one eye and recognized the queenâs peril. It snorted from one nostril. Bubbles floated up and turned to ice. This made a cobbled if slippery path upon the surface of the river to tread upon, and the queenâs frail arms windmilled as she tried to keep her balance.
âOur dead queen is beckoning us into the river that ends in death,â wailed the people. For they knew the river flowed to the very edge of the tilted plate that was the earth. From there one went over. Into what, no one knew.
Hearing their terror, the queen tried to speak. Yet the gossamer wrapped over her mouth made words impossible. She could only moan, and this convinced the last disbelievers that she was indeed dead as dead can be. Â
âPerhaps if they see me sink, they will know Iâm not a ghost,â the queen reasoned and threw herself into the river.
She sank to the dusky depths and found herself eye to gossamered eye with the silvered dragon. Water sifted through the ghostly mesh over her mouth and nose and began to spill into her lungs.
The river dragon yawned a freezing breath. Before a royal drowning could fully take place, a block of ice formed to encase the gossamered queen.Â
She floated up, up, up like a fishing cork. The queen breached the surface of the river and came down with an impressive splash upon its misted surface. Â Â
The people marveled at the sight of their queen preserved in a coffin of crystal-clear ice. Fools that they were, they did nothing to retrieve her. Instead they chatted and watched with wide eyes as she twirled in her icebox, caught in the swirling eddies. Â Â
âI shall never, ever wish upon a star again,â thought the frozen and gossamered queen. âThis is all going downhill even faster than I expected.â And she felt full betrayed. Yet here is the truth. The star loved the queen and offered her a storied fate.
For everyone loves a sleeping beauty.
Winter came and as expected, the river dragon climbed dripping from the emerald river to breathe a fierce freeze over the verdant land. Snow drifted to weigh heavy upon the capped castle towers. The waterfall dried into icicle drapes.
The grey mist vanished in mere hours.
A brilliant winter sun shone down upon the icy coffin which spun in the river eddies. The currents simply would not take the queen away, much to the peopleâs discomfort and dismay.
And so, the gossamered queen stared up through frozen, open eyes to witness a most extraordinary thing.
Faeries on the wind.
Their cheeky faces took shape on brisk gales. Stubby paint brushes tipped their wings whichâprettilyâfluttered to resemble a butterflyâs powdered sails.
The faeries painted the world however they pleased, not only in greys and misted greens. Colors which the queen had never seen came to be. And for the first time ever in her grown-up life, she expected that unbelievable magic must happen with ease after all.Â
This meant she could be wrong about the certainty of a great many scary and serious things.
Wonder struck. It happened with such grace, like a child tumbling with delight as she rolls downhill.
An old womanâs laughter rocked her icy coffin and loosed it from the eddies. She flowed. The river upon the tilted plate of the earth carried her to the edge, and she spilled over into
she-knew-not-what
while a lovely last note played.Â
She fell with no effort whatsoever into wings tipped in paint-dipped brushes.Â
Â
Everyone loves a sleeping beauty, and sleeping beauties always wake.Â
Â
EPILOGUE
After this, the queen fluttered and colored the land and river downhill from the castle in hues the people never knew existed, and in quiet moments they got a peek of an astonishing palette. To give such inevitable glimpses of Bursting Beauty is the purpose of every queenâs open hand.
This is true whether her reach encompasses heaven, a castle, or even a modest cottage upon a patch of land. Â Â Â Â
âIn the depths of winter, I finally learned that within me there lay an invincible summer.â Albert Camus
âDonât be afraid. There are exquisite things in store for you. This is merely the beginning.â Oscar Wilde
If you felt soothed by this little story and wish to be well-acquainted with Wonder, I hope you SUBSCRIBE TO CRONE TALES. They are freely given.
Pretty please leave a comment below so I can know your thoughts or feelings on this fairy tale! What do you think of the Crone turning Sleeping Beauty into Bursting Beauty?Â
Image Credits
Featured image of castle by Jasmine
Ghostly queen in mirror by Gilbert
Dragon eye by Chirstonna
Dragon on cliff found at https://www.walpaperlist.com/2020/01/white-dragon-wallpaper-hd.html
Blue castle by Edmund Dulac
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THE CHAMBERMAID IN BRIARS, a fairy tale for enlightenment
The Crone stands dizzy in her windy doorway. Is it the full moon that woke her, or the scent of white roses? Stars trail jagged white lines like briars in the skies, and she finds herself caught between heaven and earth, hearing both truth and lies. Her heart with a tale is like unto a villageâstitched and intertwined. Come, listen.
Youâre invited to make what meaning you will.
Â
A chambermaid woke on a chill morning in her bed with a briar sprouted from her chest.
There, it tangled into a thorned nest over her heart. She told no one. How she cried to have become a monster! Yet she considered it inevitable. Time and again had she noticed something wrong with herself, how she was different from others. Parties did not excite her. She preferred to be alone rather than say foolish things for others to hear. She found herself unwilling to reach out to others and pretended not to see their need, for all she could manage was her own relentless fear of being seen.
âYou made me wrong,â she declared to the heavens, and knew it to be true.
Come midnight, this chambermaid stole down to the gardens outside the crumbling castle. As it happened, a hedgewitch cared for the queenâs gardens using a witchâs green art. She wasnât one of those skinny witches, but a big round fat one, as juicy as an apple. The chambermaid took care not to be seen by the hedgewitch. She gathered what ingredients she needed to make a poultice for her heart and left quick as a rabbit.
The chambermaid woke each morning thereafter to find a new briar protruding from somewhere on her form. Briars twisted down her legs, twined to cut the flesh of her belly, and pierced her arms with a peculiar type of curled thorn. Soon it became necessary for our chambermaid to wear extra layers of clothing to soak up the bloodâand most important, to hide the briars from view and bad opinion.
One moonlit midnight, the chambermaid gathered her poultice ingredients as usual in the castle gardens. The fat hedgewitch, who smelled of honey and was not unknowing of stealthy visits to her garden, noticed a stray briar peeking out from the high collar at the chambermaidâs neck, and another piercing her skirt. Â
The hedgewitch stepped into view. âLet me help you, my belle.â Â Â
âLeave me be!â said the chambermaid. âCanât you see? There is something very wrong with me.â
The hedgewitch held up her gardening shears. She coaxed and cooed. The chambermaid shed her bloody and thorn-ripped clothing and stood naked, shivering beneath a slivered moon.
Snip, snip, snip.
The hedgewitch used her shears to cut away the briars from the chambermaidâs poor body from toe to brow. All was not made well. Still the briars grew when the chambermaid slept each night, for the poison had to get out somehow.
Poison always comes out.
Snip, snip, snip.
Both chambermaid and hedgewitch wearied of a nightly pruning of briars.
âEnough is enough,â said the hedgewitch. âWe must choke out these briar-lies!â Then did she plant seeds beneath the chambermaidâs skin. Â Â
A white chrysanthemum bloomed at one corner of the chambermaidâs mouth, and on the other side a red poppy. This is how she came to have dimples of blossoms. In days thereafter blooms so covered the chambermaid that no briars could take root. She no longer had use for clothing of the ordinary sort. Â
âI am a monster no more,â said the chambermaid in a fit of fragrant glory. And she was happy for a time.
Summer came. The chambermaid visited the hedgewitch in her garden with a new problem. Betrothed to a millerâs son, she wept in fear that she might revolt him come her wedding night.
âThere will be no hiding the ugliness which dwells beneath these flowers,â said the chambermaid. She trembled and raised a cloud of golden pollen. âWhat will my love think when he touches my scarred flesh? He will surely turn away, and my wounds shall be made new. I cannot bear it! Can’t you see? Intimacy simply isnât meant for me.â
âOh, go back to bed,â said the hedgewitch. Â Â
Once the night turned deep and still, the hedgewitch brought forth an ancient book of poem-spells composed by oak trees. The hedgewitch crushed flowers upon her tongue, cradled the ancient book in one swollen arm, and read strange syllables from a parchment page meant to brew a healing balm. Â
A divine dust rained down on the castle. All who slept inside woke and followed silvered sparks outside into the gardens.
The chambermaid was the last to prance sleeping from the castle. In the garden she found bodies strewn upon the ground, and spirits of all those from her life at the castle waltzing in the full moonlight together. How surprised the chambermaid was to see the queenâs spirit waltzing with the spirit of her worst enemyâthe king. The most vicious guards pointed their toes alongside priests. And there! Those who had once forgotten the very existence of the chambermaidâor judged her selfishnessânow excitedly beckoned her to join in the silent waltz.
The hedgewitch herself brushed past the chambermaid like a big revolving globe. Brieflyâtheir eyes met. And the gaze was everlasting, with no beginning and no end. Â
Spin, spin, spin.
Under a poem-spell, the chambermaid dropped her body to the ground as she once had her clothing for briar-pruning, simple as that.
Holding her breath and closing her eyes, the chambermaid held out a cupped hand.
She waltzed and whirled, as drunken and drowsy with true love as the heavens which look down upon a spinning earth. The chambermaid twirled into Wonder. Her vision cleared to match that of the heavens, for all the dancers spun so fast that their many faces blurred into One.
She saw what is seen from above.Â
Spin, spin, spin.
A knowing came unto the chambermaid. She would not marry the millerâs son. It was too late for that, for in this One dance it was impossible to see and love a separate anyone at all. What happened next was only natural and what you might expect.Â
The chambermaid dissolved into a poem.
The hedgewitch fit this new verseâwhich was once a chambermaidâinto her ancient book. Thereafter, she spoke the chambermaid-poem to anyone suffering the affliction of briars. For the poem gave rise to a thorned stem that grew a single white petal so inviting that a thousand bees landed upon its cupped hand.
And all the castleâs people grew sweet as honey and as swollen with bee stings as was the hedgewitch. For she applied the chambermaid-poem as the silky balm it was. This made queen, king, and servants so soft they more easily smoothed into one another.
The heavens took over after this, spinning the earth to spread the poem-balm both near and far away.
Spin, spin, spin. The verse appeared as bright pollen carried on a honeyed wind.
For all who hear the chambermaid-poem even today, a briarâs spell is broken and a white petal is added to a single, long-stemmed rose. This makes the heavens too love-drunk-drowsy to do anything other than keep spinning the earth and make intimate what seems to be not.Â
This is the only alchemy that interests the heavens in any way whatsoever. The remaking into One is the one and only divine plot.
Now you know whyâin every corner of this earthâtwirling with cupped hands is a gesture of Love.
Aristotle is supposed to have said: âLove is composed of a single soul inhabiting two bodies.â I wonder if it could be truer to say, âLove is composed of a single soul inhabiting all bodies.â
One wonders how else peace on earth can ever happen.
And when love speaks,
the voice of all the gods
make Heaven drowsy
with the harmony
~Shakespeare
(Notice the Bard gives the gods a single voice.)
If you found yourself twirling with cupped hands by the end of this story, I invite you to subscribe to CRONE TALES. It’s free, and I write one or two new tales a month to help pitch you into wonder and enlightenment đ
Curious as to what inspired this tale as I sat to write? It’s a song by King Harvest. Here you go:
DANCING IN THE MOONLIGHT
We get it on most every night
And when that old moon gets so big and bright
It’s a supernatural delight
Everybody was dancin’ in the moonlightEverybody here is outta sight
They don’t bark and they don’t bite
They keep things loose, they keep things light
Everybody was dancin’ in the moonlightDancin’ in the moonlight
Everybody’s feelin’ warm and right
It’s such a fine and natural sight
Everybody’s dancin’ in the moonlightWe like our fun and we never fight
You can’t dance and stay uptight
It’s a supernatural delight
Everybody was dancin’ in the moonlightDancin’ in the moonlight
Everybody’s feelin’ warm and right
It’s such a fine and natural sight
Everybody’s dancin’ in the moonlightPRETTY PLEASE LEAVE A COMMENT BELOW! I WOULD LOVE TO HEAR HOW YOU RECEIVED THE CRONE’S TALE.Â
IMAGE CREDITS:
Featured image: <a href=’https://pngtree.com/so/retro-texture’>retro texture png from pngtree.com</a>
Image of briars: kisspng-tree-branch-snag-clip-art-tree-top-view-5abc67dd68d106.7605402215222967974293
Image of book by Gerhard G.
Woman dancing beneath moon: a href=’httpspngtree.comsoaugust-15’august 15 png from pngtree.coma
Girl dancing on flower: <a href=’https://pngtree.com/so/wallpaper’>wallpaper png from pngtree.com</a>
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THE GARDEN OF DEWDROPS & THYME, a fairy tale for enlightenment
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THE CHRISTMAS EVE TREE, a fairy tale for enlightenment
Bells toll midnight in villages strewn across a globe on a clear, cold Christmas Eve. Stand in new starlight. Blow white puffs of what, may chance, take form and make a haunting. See there! By a crowned tree waits a Crone. She knows old and true stories which beg not to be forgotten. Come, listen.
Itâs up to you to find what meaning you will.
There once lived a crone in a world that had forgotten Spirit and thus tried to find comfort where there was none. Â Â
Each evening she walked a village arranged on cliffs by a winterâs heaving sea. Clutching an oil lamp in her crooked hands, she composed new lyrics to sing. For she believed if only she could find the right words, people might know there yet existed on earth a Flame. But no one paid any attention whatsoever to the crone. Or to her beloved, carefully-worded songs.
By the time she went back inside, frost covered her coat, billowing skirt, and boots. She lit a fire in the pipe stove, and the frost melted to make a puddle on the floor.
This attempt to comfort her village with new songs went on every night. The crone sang, no one cared, she lit a fire at home afterward, and frost melted into a puddle. Sheâd drip water about the house as she hobbled from room to room. Â Â
So dark had the world become without Spirit that the crone soon used up all her split logs. With a pipe stove empty of fire, the puddles in the croneâs house hardened into ice. Everywhere sheâd traipsed and dripped transformed into a slippery space.
Snow hares moved in and played sliding games of chase. This the crone enjoyed, but otherwise she lamented the case that she could not thaw out.
She remained a frosty crone. Â Â
Villagers believed she had died and become a ghost. For on the cliffs she wandered, white. And faintly luminous, when there was moonlight.
âSheâs a ghost or gone mad,â they diagnosed.
They observed her staring at the night sky, at the sort of new, bright star that could find a place in myth. A few suggested she missed a sweetheart, for smitten womenâno matter how oldâoft dwell lovesick at the edge of windswept cliffs.
In fact, this sensible guess was true. The crone, at her sweetly ripened old age, had commenced a lofty romance located in the heavens. Sheâd fallen in love with a star. Naturally, this made the crone look forward to the coming of Christmas.
She decided to do some shopping in the village. How scandalized she was to see no Christmas tree in the village square! As she shuffled along the icy cobblestones to her favorite shop, she heard a shriek. When she reached the door of the shop, she found it lockedâwith no wreath. Frightened faces peeped out the window at her. The crone marveled at what to think. She had no idea the villagers believed her to be either a ghost or given to madness.
Since falling in love, sheâd forgotten that others had no reason for end-of-year gladness. The crone went home to her icicled cottage and thought what she might do to help. As usual, she believed she must write words to sing. Â
Come Christmas Eve, she kept her distance so as not to alarm anyone. She stood yonder from wreathless cottage doors and sang both old and newly composed carols from the shadows.
The villagers were not tricked. âItâs the ghost or mad woman again,â they told one another. âEither way, let us have nothing to do with her.â They refused to open their doors and listen.
The crone hobbled away in dismay.
âI am old and small and insignificant,â she told the star she loved. âNo words I sing can make any difference in this world. It is too dark and Spirit too far away. And too cold. Oh, how bitter cold it is!â
So bitter cold it truly was that the croneâs long skirt widened with fresh frost dredged from fog which lay upon the earth she walked.
The villagers saw her silhouette on the cliffs in the moonlight. And there were a few who perceived at a distance an aged womanâs beauty, for her full-skirted silhouette appeared like a fine vase caught in a timeless glimmer. Yet they did not try to speak to her for they knew no words could help anything. They left her alone.
The crone became all the more certain that she had no words to give that anyone wanted, and this frightened her.
âI have to face it,â she said. âThe world is not in want of me.â Â Â
At this, a heavenly bell tolled. Waves lifted and the sea sprayed magic upon the crone. She fell fast asleep there on the cliffs with seawater falling in hallowed crystals upon her, and she dreamed a beautiful dream.
When she wakened, there was no need to ponder. She made a fire of her favorite rocking chair in the pipe stove and merrily tossed her tin cookie cutters into the flames. There they stayed until scorching hot.
Wearing her thickest mittens, the crone used red hot cookie cutters to cut out shapes from the ice encasing her cottage. These she hung like glass ornaments all over her frosty body. All day she worked and, when ready, tottered outside beneath the clear night sky as the village bells tolled twelve.
The star she loved took one look at the ornamented crone and fell hard.
Plummeting from the sky, the star landed upon the croneâs head. She was literally lovestruck at this and wandered upon a midnight clear to the center of the village singing songs. Â Â Â
The star from the heavens was as cold as it was bright. Its coldness trickled into the crone until she slowed into a profound stillness. So quiet became her mind and heart that her singing stopped. There in the village square, she froze solid. Her breath became like flakes of snow, and the wind blew them all around her. Her mouth iced over in the shape of an O.
This was so astonishing that all the earth fell Silent. Â
The starâs glow seeped into the crone and she became so bright as to be blinding.
This light streamed into the windows of the cottages throughout the village, and the people came out to stand in awe at the haunting before them:
Snow flurries whipping about a frosted Christmas tree, doused in ornaments of ice and aglow with a star on top. Once their excited shouts fell away, they heard the Silence.
And were comforted.
Joy overwhelmed every woman, man, and child. Chased by snow hares, the villagers ran to their cottages and soundlessly returned with gifts. These they lay beneath the tree at an old woman’s feet.
Throughout the long night, the villagers fixed their eyes upon the star come to give Silence.
This same story happens every Christmas Eve. The crone becomes a star-crowned tree each end-of-December with her mouth in a Silent O, though now she returns from the heavens to do so.
Would you like to see her? She Is cold and bright with Flame amidst swirling snow on Christmas Eve. Sheâs really there. She exists. But please, do not believe.
Freeze.
Be still and know.
Do you see what I see? Lovestruck stars are falling from heaven. At this impossible and soundless sight, your mouth forms upon this earth its own Silent O
Holy
Night.
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I wish you happy, peaceful, comforting holidays.
Featured image of Christmas tree in snow by Gerd Altmann
Star in sky image also by Gerd Altmann
Sorry! I have no credit to give for snowflake image
Choir image by Free Vector Images