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THE GARDEN OF DEWDROPS & THYME, a fairy tale for enlightenment
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THE CHRISTMAS EVE TREE, a fairy tale for enlightenment
Bells toll midnight in villages strewn across a globe on a clear, cold Christmas Eve. Stand in new starlight. Blow white puffs of what, may chance, take form and make a haunting. See there! By a crowned tree waits a Crone. She knows old and true stories which beg not to be forgotten. Come, listen.
Itâs up to you to find what meaning you will.
There once lived a crone in a world that had forgotten Spirit and thus tried to find comfort where there was none. Â Â
Each evening she walked a village arranged on cliffs by a winterâs heaving sea. Clutching an oil lamp in her crooked hands, she composed new lyrics to sing. For she believed if only she could find the right words, people might know there yet existed on earth a Flame. But no one paid any attention whatsoever to the crone. Or to her beloved, carefully-worded songs.
By the time she went back inside, frost covered her coat, billowing skirt, and boots. She lit a fire in the pipe stove, and the frost melted to make a puddle on the floor.
This attempt to comfort her village with new songs went on every night. The crone sang, no one cared, she lit a fire at home afterward, and frost melted into a puddle. Sheâd drip water about the house as she hobbled from room to room. Â Â
So dark had the world become without Spirit that the crone soon used up all her split logs. With a pipe stove empty of fire, the puddles in the croneâs house hardened into ice. Everywhere sheâd traipsed and dripped transformed into a slippery space.
Snow hares moved in and played sliding games of chase. This the crone enjoyed, but otherwise she lamented the case that she could not thaw out.
She remained a frosty crone. Â Â
Villagers believed she had died and become a ghost. For on the cliffs she wandered, white. And faintly luminous, when there was moonlight.
âSheâs a ghost or gone mad,â they diagnosed.
They observed her staring at the night sky, at the sort of new, bright star that could find a place in myth. A few suggested she missed a sweetheart, for smitten womenâno matter how oldâoft dwell lovesick at the edge of windswept cliffs.
In fact, this sensible guess was true. The crone, at her sweetly ripened old age, had commenced a lofty romance located in the heavens. Sheâd fallen in love with a star. Naturally, this made the crone look forward to the coming of Christmas.
She decided to do some shopping in the village. How scandalized she was to see no Christmas tree in the village square! As she shuffled along the icy cobblestones to her favorite shop, she heard a shriek. When she reached the door of the shop, she found it lockedâwith no wreath. Frightened faces peeped out the window at her. The crone marveled at what to think. She had no idea the villagers believed her to be either a ghost or given to madness.
Since falling in love, sheâd forgotten that others had no reason for end-of-year gladness. The crone went home to her icicled cottage and thought what she might do to help. As usual, she believed she must write words to sing. Â
Come Christmas Eve, she kept her distance so as not to alarm anyone. She stood yonder from wreathless cottage doors and sang both old and newly composed carols from the shadows.
The villagers were not tricked. âItâs the ghost or mad woman again,â they told one another. âEither way, let us have nothing to do with her.â They refused to open their doors and listen.
The crone hobbled away in dismay.
âI am old and small and insignificant,â she told the star she loved. âNo words I sing can make any difference in this world. It is too dark and Spirit too far away. And too cold. Oh, how bitter cold it is!â
So bitter cold it truly was that the croneâs long skirt widened with fresh frost dredged from fog which lay upon the earth she walked.
The villagers saw her silhouette on the cliffs in the moonlight. And there were a few who perceived at a distance an aged womanâs beauty, for her full-skirted silhouette appeared like a fine vase caught in a timeless glimmer. Yet they did not try to speak to her for they knew no words could help anything. They left her alone.
The crone became all the more certain that she had no words to give that anyone wanted, and this frightened her.
âI have to face it,â she said. âThe world is not in want of me.â Â Â
At this, a heavenly bell tolled. Waves lifted and the sea sprayed magic upon the crone. She fell fast asleep there on the cliffs with seawater falling in hallowed crystals upon her, and she dreamed a beautiful dream.
When she wakened, there was no need to ponder. She made a fire of her favorite rocking chair in the pipe stove and merrily tossed her tin cookie cutters into the flames. There they stayed until scorching hot.
Wearing her thickest mittens, the crone used red hot cookie cutters to cut out shapes from the ice encasing her cottage. These she hung like glass ornaments all over her frosty body. All day she worked and, when ready, tottered outside beneath the clear night sky as the village bells tolled twelve.
The star she loved took one look at the ornamented crone and fell hard.
Plummeting from the sky, the star landed upon the croneâs head. She was literally lovestruck at this and wandered upon a midnight clear to the center of the village singing songs. Â Â Â
The star from the heavens was as cold as it was bright. Its coldness trickled into the crone until she slowed into a profound stillness. So quiet became her mind and heart that her singing stopped. There in the village square, she froze solid. Her breath became like flakes of snow, and the wind blew them all around her. Her mouth iced over in the shape of an O.
This was so astonishing that all the earth fell Silent. Â
The starâs glow seeped into the crone and she became so bright as to be blinding.
This light streamed into the windows of the cottages throughout the village, and the people came out to stand in awe at the haunting before them:
Snow flurries whipping about a frosted Christmas tree, doused in ornaments of ice and aglow with a star on top. Once their excited shouts fell away, they heard the Silence.
And were comforted.
Joy overwhelmed every woman, man, and child. Chased by snow hares, the villagers ran to their cottages and soundlessly returned with gifts. These they lay beneath the tree at an old woman’s feet.
Throughout the long night, the villagers fixed their eyes upon the star come to give Silence.
This same story happens every Christmas Eve. The crone becomes a star-crowned tree each end-of-December with her mouth in a Silent O, though now she returns from the heavens to do so.
Would you like to see her? She Is cold and bright with Flame amidst swirling snow on Christmas Eve. Sheâs really there. She exists. But please, do not believe.
Freeze.
Be still and know.
Do you see what I see? Lovestruck stars are falling from heaven. At this impossible and soundless sight, your mouth forms upon this earth its own Silent O
Holy
Night.
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I wish you happy, peaceful, comforting holidays.
Featured image of Christmas tree in snow by Gerd Altmann
Star in sky image also by Gerd Altmann
Sorry! I have no credit to give for snowflake image
Choir image by Free Vector Images
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THE ICICLES OF VERSE, a fairy tale for enlightenment
Winter is here. Ice hides the sun and winds blow shadows dark and white. Build fire âneath the cauldron with forgotten spells to summon maiden, mother, and croneâfor here comes the night. A story is born. Listen.
Itâs up to you to find what meaning you will.
Not merely once upon a time, a being with billowing wings wished to be born into this world despite its threat of ice.Â
First came a heavenly ceremony, a sort of sending-off. The being ate a ladleful of stew from an ancient cauldron. And it was said:
Â
What are faeries made of?
Daggers, questions asked, and a world of looking-glass.
Thatâs what faeries are made of.
Â
The being fell asleep and a faerie wakened far, far away in the high icelands. Silver graced her tiny wings and a caterpillar’s silk draped her curled body. She exhaled sparkling breath in her faerie motherâs arms, content even as wind shrieked amongst the blue mountain peaks. Â
And she was named Verse.
Her mother told her all the sacred fae stories alongside a spitting fire. Verse learned of how the world beganâwater poured from The Foxglove in the sky to freeze into the shape of every form she could see. She knew that dreams were caused by moonlight catching in her pointed ear, and that everything she ever did would be preserved in the ice of the Eternal Past.Â
Verse often dreamed that she was made of daggers, questions asked, and a world of looking-glass. She had no idea what this meant but feared it.
The other faeries didnât like her much at all. When grumpy, Verse couldnât seem to stop herself from caving in the snow tunnels of hares. She often broke the strings of violins, wondering afterward why she had done such a thing. Perhaps worst of all, she had a talent for telling liesâsmooth as ice.
Verseâs virtue, however, surpassed her vice. For never had a daughter so loved her mother.Â
One day, Verse made a cage of permafrost twigs and entrapped an aurora bee to keep as her own.
It was this last stunt which brought about the Bad Day.
âWhat is wrong with you?â her mother cried out. Verse saw reproach and horror on her motherâs face at the sight of the imprisoned aurora bee.
After this, Verse could fly no higher off the frozen mountain than the length of a foxtail.Â
One hundred years passed to make Verse full-grown. It so happened that she was gifted a daughter of her own with sparkling breath. Looking upon the sweet babe in her arms, she crooned a faerie’s lullaby.
Verse hoped the babe would not be like her. She imagined for her child a lived life of good deeds, like in the old tales of the Butter Fly. Â
Carefully, she named her daughter Joy.Â
Many winters went by. One glittered and embittered blizzardâs night, Joy made a scene. She stood before the assembled faerie host and insulted the revered faerie queen.
âYour breath has lost its sparkle and you donât sound so almighty wise to me,â Joy smarted off.
A collective cry escaped the faerie host.
Joy looked about herself, uncertain. She knew she was a bad faerie, but never before had she seen so many stares and hands clutching at throats.Â
Frightened by what she had doneâby what she wasâshe turned to her mother, Verse, for help.
But her mother stood frozen, a fisted hand held to her open mouth. Â
Joy pretended. With a laugh, she turned to saunter away. But suddenly there her mother was, taking fast hold of her by the wing.
âWhat is wrong with you?â Verse hissed, her face gone blood pink.  Â
Joy’s eyes widened. She hardly recognized her mother, so fierce was her face. She knew the other faeries held no lasting fondness for her, but her mother had always lovedâŠ
With a lurch, Joy ripped herself free of her motherâs grasp and fled.
It was days before Verse found Joy hiding beneath a snowdrift, stiff and blue. She gathered her daughter into her arms and wept to see what had been done. Â
It was a thing Verse never wanted to do, a thing she never imagined she could:
For the sake of embarrassment before the queen, sheâd lashed out and torn her daughterâs wing.
Though Verse treated this wound with kisses and sweet nothings, it remained. It festered and became a part of her daughter. Never to be undone.
This is how Joy came to fly in circles, as happens with a broken wing. She stayed close to home to make herself safe, never venturing far to where other faeries might shun her. Â
And Verse knew all of life had changed. Nothing, nothing would ever be the same. The truth of her failure as a mother could and would never be undone.
It was forever preserved in the Eternal Past. Â
Verseâs despair over this brought a bad moon. It leaked dim, chilled nightmares of what-might-have-been-but-now-will-never-be into her ear.
Thereafter, Verse took up the habit of pulling her wings forward so that the tips covered her eyes like a veil. But she couldnât hide her tears. They flowed and froze to stick out from her chin, not unlike a daggered beard.Â
âDawn can never come,â she said over and again until the words formed a belief as solid and real as anything else. This provoked suffering until Verse couldn’t help but to whisper into her snowy pine pillowâ
A Question Asked.
âWhy was I cruel to the one I love most?â
Verse asked this of herself so many times that it came to sound like the knocking on a door.
One early winterâs dusk, Verse sat upon a hollow log squeezing purple berries to make ink. Yet her mind dwelt upon Joyâs torn wing, wishing it were not so.
By this time Verse had shed so many tears that she wore an astonishing beard of frozen daggers upon her chin.
Looking up from her berries through bleary eyes, she caught sight of two white bears at play. Spirit-bears, faeries know them to be. Verse sneaked through the windswept mountains, following the spirit-bears to a branching river covered in black ice.
She felt soothed and comfortable in the presence of the spirit-bears. But alas, the holy creatures found a hole in the riverâs ice and slipped into the water to vanish.
Verse kept vigil at the hole in the ice, gazing down into water black and rippling. She wondered that she could not see the white of the spirit-bears in the deep of the river and grew worried they had drowned.
The wind ceased of a sudden. Verse felt chills along the fluted edges of her silver wingsânever had she known a moment in the high icelands that did not blow with wintry winds. Â
A strange sense of something more than natural tingled upon her lips.
It felt like being in a dream. Kissed.
With the wind snuffed out, the water inside the ice hole became immovable and level as glass. Verseâs fingers trembled as she reached to dip a hand into the cold where the spirit-bears had gone, but the surface of the water was solid as stone. Â
A spell which Verse did not know that she knew escaped her lips. This sort of thing, a rare grace, happens to faeries less often than you might predict.
âAlohooya brecken tre alayyaa ser wollyan.â
A sheet of water framed by a twisting black veil lifted from the river. It stood itself upon the ice, three foxtails high. Verse tilted back her head to see.Â
Her exhaled breath snapped and popped with sparkles.
She fell into wonder until the twisting veil reached to encircle her neck and flutter at her face. Verse choked, and in a panic she pulled the black stuffing from her mouth.
The looking-glass shivered. A mist gathered, which is a sure sign that what is past is about to make a reappearance.
Verseâs knees went weak in dread at what she expected to see. But when the misty fog coalesced into a shape deep within the surface of the looking-glass, Verse saw it was not the bad day of the torn wing after all. Â
âMother!â she blurted in surprise.
But her mother within the looking-glass did not respond, for she was remembering her own bad motherâs day.
The day of the caged aurora bee.
âItâs my fault my daughter can fly no higher than the length of a foxtail,â her mother said as she huddled alone inside the looking-glass. âFor I did harm to her with my cruel face and words.â Â Â
Verse witnessed her mother pull forward her wings so that the tips covered her eyes. Yet Verse knew she wept, for tears flowed down to form icicles like a beard of daggers on her motherâs chin. Â
The looking-glass shivered.
Verse sat back on her faerie bottom, stunned. For behind the image of her mother stood another looking-glass and within it her grandmother, who wore an even more impressive beard of icicle daggers. Â Â
The looking-glass shivered bittersweet.Â
What Verse was given to see was this:
The haunted past, grim and reaped.Â
Reflections within reflections. Looking-glass after looking-glass revealed itself in a descending serpentine gloom. Each held a mother faerie, an ancestor, framed by a veil and dressed in a river glass tomb.
Verse saw that each faerie was wounded by a mother, each used a dagger of cruel words on a child, each veiled her face in shame, each wept and dripped tears of endless, heartbroken regret.
âI know this pain,â Verse rasped, for she could barely breathe at seeing their grief so recognizably unmasked. She wept. Nodded. Â
âI understand you.â
Though she didnât know it, her voice passed through each looking-glass in a timeless translation for every mother and child to hear. And the translation went like this:
âWe are the same.â
The looking-glass quaked. A new scene revealed itself to Verse in an unasked-for revelation:
She was a being with billowing wings who had been born into this world.
First there had been a heavenly ceremony, a sort of sending-off. There was an ancient cauldron. And the swallowing of a ladleful of stew to make her who she would seem to be. The ingredients included every pair of contraries known: courage and cowardice, hope and despair, generosity and greed. Love and fear. And more.
It was a recipe called Faerie, with some beings getting more or less of this and that ingredient, depending on what measures of virtue and vice happened to be ladled up.
There on the lonely ice by a winterâs river, Verse blinked. If a faerie’s qualities came of a ladleful of stew…if they were given, not chosen…
Verse buckled when comprehension struck. Truth buzzed in her ears louder than any aurora bee.
âWe are innocent,â she exclaimed in astonishment. It was so shocking, she felt as if she might crack open. Â
âIf this is true, before taking a swallow of stew, I am likeâŠwhat, or who?â Â
She did not know.
There was no âmightâ about it now. Verse cracked open. But in a good way. An entirely new kind of knowledge, the kind that passes understanding, worked inside her in ways that could not be expressed or easily spoken.Â
Yet, it is fair to say it tasted of forgiveness-not-needed.
A great wind came to blow away the bruised clouds in the sky. Verse looked over her shoulder.
Rising out of the winter came a bright orange sun. Its rays illuminated each and every looking-glass. The daggers melted from the chins of all the mothers.
This is how Verse came to see them as they were. And she knew she was like them.Â
A thrill more than natural lifted the wings of Verse. She flew higher than any conceivable number of foxtails. Â
With Joy.
Â
EPILOGUE
Verse spent the next three hundred years digesting her share of an ancient stew. She took great care and responsibility to eliminate what tasted bad. Without complaint.
She savored what tasted good from the stew and offered it to all others without discrimination, for there was no judgment inside her. This sharing made the flavor all the sweeter.
Verse became a good steward of her life, of what sheâd been given.
And when the Seer took Verseâs frail hand upon her death, she viewed her entire lifeâs story of daggers and questions asked. It had all happened in a world that was, as it turned out, nothing more than a looking-glass filled with reflections of herself, for she was all the world.
Please understand. This review of Verseâs life was not a judgment. Rather, it was a careful measuring.
To be stirred back into the stew of an ancient cauldron.
Such happens with the lives of faerie and non-fae folk alike. Each life lived out holds vast significance, for each life upon completion lends a flavor to EVERYONE who comes after.
You may not have realized the potential and importance of your life, but now you know to pay attention. Because life is hard. And many are hurting.
Â
What is a life made of?
Daggers, questions asked, and a world of looking-glass.
Thatâs what a life is made of.
Â
And I say,
Itâs all right.Â
The past doesnât exist, so drop your daggers of regret.
Peer into the ancient cauldron and youâll find no eternal past. This is because the recipe is constantly being changed. Herein lies grace: the stew is only ever as it is now.
You are only ever as you are, Now.Â
Look!
Here comes the sun.
And now we bring The Beatles onstage… đ
Here comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightLittle darling, it’s been a long cold lonely winter
Little darling, it feels like years since it’s been hereHere comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightLittle darling, the smile’s returning to their faces
Little darling, it seems like years since it’s been hereHere comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightSun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comesLittle darling, I feel that ice is slowly melting
Little darling, it seems like years since it’s been clearHere comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightHere comes the sun, (doo doo doo doo)
Here comes the sun
It’s all right
It’s all right(Songwriter: George Harrison. Here Comes the Sun lyrics © Concord Music Publishing LLC)
An applicable quote:Â “…you are literally at the very edge of evolution itself, and thus your very thoughts and actions are contributing directly to the Form or structure of tomorrow—you are a genuine co-creator of a reality that every human being henceforth will pass through. Make sure, therefore, that to the extent that you can, always act from the deepest, widest, highest source in you that you can find…” ~ Philosopher Ken Wilber, from Integral Meditation
A LAST NOTE: Besides my favorite song above, this Crone Tale is inspired by author Elizabeth Gilbert, who happens to be one of my all-time favorite crones. (Remember that when I say Crone I’m referring to the archetype of the Wise Woman.) In a social media post, she wrote of hearing women speak of how their mothers had inflicted (psychological) wounds upon them.Â
And Liz suggested this:
Have mercy on the mothers.
Â
~If you found meaning in this story (this looking-glass) you may wish to receive new Crone Tales for free by email. I write one or two a month. SUBSCRIBE HERE.
Thank you ever so much for reading!
PLEASE LEAVE A COMMENT BELOW SO THE CRONE CAN KNOW HOW HER TALE WAS RECEIVED đÂ
Featured image by Kinkate
Image of bee by Anne-Marie Ridderhof
Image of sad fairy by Hussein1
Image of polar bears credit: <a href=’https://pngtree.com/so/animal’>animal png from pngtree.com</a>
Image of looking-glass with veil credit: <a href=’https://pngtree.com/so/ink’>ink png from pngtree.com</a>
Image of icicles by Nyeia
Image of cauldron by Gretta Bartoli
Image of sunrise by M. Maggs
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THE FALLING FULL MOON, a fairy tale for enlightenment
Anxious villagers pray to be delivered unto the next world. Enamored of spirits, angels, and misty places, they hide away their earthly stories and cover their faces. Meanwhile the Crone sits in the sun and brushes her hairâat the market cross, of all places. She has in mind the tale of a tiny beast. Come. Listen.Â
Itâs up to you to find what meaning you will. Â
Whilst wishing to be a spirit, a parish woman earned her keep caretaking an aged priest and a church.
She preferred staying hidden to being seen, and could often be found with her knees upon the stone floor, praying. This helped her to be left alone by a steady stream of parishioners. Though her days were reasonably easy and she feared in no way for her safetyâ
This woman could not find her way to peace. Sheâd be the first to admit it was inexplicable, yet she could rightly be called a nervous Nellie. She was always and ever-anxious.
There were so many things which wanted to be done, if only she didnât possess the uncharitable desire to be left to herself with nothing to do. This is how she came to be jealous of spirits and ghosts. How easy and unexamined their lives must be!
One dark day as she peered out the parish church window at a flood of rain, she saw a figure in a white cloak coming up the rutted, muddy road. The parish woman felt the familiar flutter in her belly when she realized someone was about to need something of her.
Wind and water blew inside the church when the white-cloaked figure opened the door to step inside. The hood pulled back to reveal a dark oval face framed on one side by braided hair the color of quillâs ink.
Putting a smile on her face, the parish woman bowed her head in silent greeting to the stranger she would rather had not arrived.
The woman in a white cloak gazed at the parish woman as if to take her measure. She used a third eye, so this did not take long.
âYou think life is a string of tasks to be done,â the stranger in a white cloak said. âBut it has never been so.â
The parish woman trembled inside. She silently wished to be small and unseen, to not have to deal with thisâor anything. âWho are you?â she asked. âHow is the hem of your white cloak clean of mud?â
The woman in a white cloak ignored these questions and instead gave her attention to the unspoken wish of the parish woman. âYour wish shall be granted,â she said. âWith a prophecy of what is to come, a riddle, to live out and solve.â
There came the sound of acorns falling, and the flutter of a single crowâs wing. The woman in a white cloak spoke an instructive riddle:
 Â
Come back to your senses.
When you do, ask the right question for you.
Last, catch a falling full moon.
Â
When the parish woman woke the next morning, she found herself buried in the thin blanket of her bedâwith whiskers, round ears, and scrabbling feet.
The aged priest was confounded to see the parish woman had been changed into a mouse. He frowned, displeased. âHow can you dust the altar? How will you tote potatoes from the garden? How shall you make tea?â
She stared back at him with beady eyes. She was not upset. On the contrary, she felt delighted and freed.
No one could want a thing from her. What could one expect a mouse to do for them? Why, nothing at all.
After this she spent her days scurrying between parish church walls or past the swishing robes of the Others, as she came to think of them. Being a mouse was not unlike being a spirit or a ghost. Rarely was she noticed or seen. Â
Life for the parish mouse became a life lived with ease. The reason for this is because there was nothing which had to be done, and no one she could possibly please.
There was no way whatsoever for shame to visit her.
There was nothing wrong with her anymore.
She lay down for a long, long sleepâprofoundly relieved.
When she woke, her mousy nose twitched at the scent of adventure which inevitably hung on the air. Off she went to the to the village market. Â
There were tasty morsels of dropped cheese for her to find, not to mention spilled mead,   or even wine. Smelly cheese melted on her tiny tongueâsuch ecstasy!
She eavesdropped. Her round ears heard bawdy tales, whispered sweet nothings, and excited gibberish about things that might happen or be done.
She felt the touch of wind on her fur and gritty dirt beneath her scrabbling claws. An opportunity presented itself to get naughty. She rolled herself in the soft silk of a merchantâs fallen wares, without apology.
Life as a tiny beast was an astonishingly SENSUAL affair.
One day as she lay relaxed in the warm sun by the market cross, she longed to do and make things beyond the wherewithal of a quiet, unseen mouse.
And so, she asked the right question.
âIs it possible I never knew my soul is in mad love with this world?â
The answer came. Every last one of her senses answered true.
At that very moment, the swish of a white cloak with no stains upon its hem passed by. The parish mouse watched a hand reach into a purse. What she saw next appeared to be a falling full moon.
She fetched the moon out of the mud and rolled it home.
With no fanfare whatsoever, she woke the next morning in her bed as the woman she once was. Wisdom in the form of a pearl was clutched within her human hand.
She was no longer a mouse. Still, she retained her beastly senses. Her belly fluttered with nerves. And yetâŠ
The flutter was only one of the many, many things she was given to notice. Not only that. She had many delicious ways to notice them.
The parish woman dusted the altar and did not fail to have eyes to see tiny worlds spinning in a shaft of sunlight. In the garden, she smelled the pungent richness of the earth when she went to dig up potatoes. By midday she was enjoying them with creamy, fresh-churned butter upon her tongue.
She made tea for the aged priest. He wondered over how slowly she poured the kettleâs hot water, at how she leaned in to feel the steamy heat upon her face. She looked so content he later tried the technique for himself.
By evening the parish woman relaxed by the window to the pitter-patter of rain.
This is how her fear was made insignificant. Small. Just a ghost of a thing, leashed.
Whereas her soul in the world was like unto a roaming, purring beast.
Yours is the same. If ever you feel overwhelmed and wish to be like a ghost, left alone and unseenâ
Come back to your senses.
When you do, ask the right question for you.
Last, catch a falling full moon.
The soul experiences life as a sensual wonderland, without taking seriously what can never eternally matter. The reality is that the world goes on spinning for soft animal bodies. I offer Mary Oliverâs beloved poem as evidence:
WILD GEESE
You do not have to be good.
You do not have to walk on your knees
for a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and excitingâ
over and over announcing your place
in the family of things.Â
The Crone says it this way:
“You only have to let the soul love what it loves.”
Hello! Cricket here đ I write a new croneâs tale once or twice a month to share. If you found meaning in this tiny, beastly tale, please know you may SUBSCRIBE.
I love to get feedback on these stories–please leave a comment below!Â