• CRONE TALES

    THE ICICLES OF VERSE, a fairy tale for enlightenment

    Winter is here. Ice hides the sun and winds blow shadows dark and white. Build fire ‘neath the cauldron with forgotten spells to summon maiden, mother, and crone—for here comes the night. A story is born. Listen.
    It’s up to you to find what meaning you will.

     

     

    Not merely once upon a time, a being with billowing wings wished to be born into this world despite its threat of ice. 

    First came a heavenly ceremony, a sort of sending-off. The being ate a ladleful of stew from an ancient cauldron. And it was said:

     

    What are faeries made of?

    Daggers, questions asked, and a world of looking-glass.

    That’s what faeries are made of.

     

    The being fell asleep and a faerie wakened far, far away in the high icelands. Silver graced her tiny wings and a caterpillar’s silk draped her curled body. She exhaled sparkling breath in her faerie mother’s arms, content even as wind shrieked amongst the blue mountain peaks.   

    And she was named Verse.

    Her mother told her all the sacred fae stories alongside a spitting fire. Verse learned of how the world began—water poured from The Foxglove in the sky to freeze into the shape of every form she could see. She knew that dreams were caused by moonlight catching in her pointed ear, and that everything she ever did would be preserved in the ice of the Eternal Past. 

    Verse often dreamed that she was made of daggers, questions asked, and a world of looking-glass. She had no idea what this meant but feared it.

    The other faeries didn’t like her much at all. When grumpy, Verse couldn’t seem to stop herself from caving in the snow tunnels of hares. She often broke the strings of violins, wondering afterward why she had done such a thing. Perhaps worst of all, she had a talent for telling lies—smooth as ice.

    Verse’s virtue, however, surpassed her vice. For never had a daughter so loved her mother. 

    One day, Verse made a cage of permafrost twigs and entrapped an aurora bee to keep as her own.

    It was this last stunt which brought about the Bad Day.

    “What is wrong with you?” her mother cried out. Verse saw reproach and horror on her mother’s face at the sight of the imprisoned aurora bee.

    After this, Verse could fly no higher off the frozen mountain than the length of a foxtail. 

    One hundred years passed to make Verse full-grown. It so happened that she was gifted a daughter of her own with sparkling breath. Looking upon the sweet babe in her arms, she crooned a faerie’s lullaby.

    Verse hoped the babe would not be like her. She imagined for her child a lived life of good deeds, like in the old tales of the Butter Fly.  

    Carefully, she named her daughter Joy. 

    Many winters went by. One glittered and embittered blizzard’s night, Joy made a scene. She stood before the assembled faerie host and insulted the revered faerie queen.

    “Your breath has lost its sparkle and you don’t sound so almighty wise to me,” Joy smarted off.

    A collective cry escaped the faerie host.

    Joy looked about herself, uncertain. She knew she was a bad faerie, but never before had she seen so many stares and hands clutching at throats. 

    Frightened by what she had done—by what she was—she turned to her mother, Verse, for help.

    But her mother stood frozen, a fisted hand held to her open mouth.  

    Joy pretended. With a laugh, she turned to saunter away. But suddenly there her mother was, taking fast hold of her by the wing.

    “What is wrong with you?” Verse hissed, her face gone blood pink.    

    Joy’s eyes widened. She hardly recognized her mother, so fierce was her face. She knew the other faeries held no lasting fondness for her, but her mother had always loved


    With a lurch, Joy ripped herself free of her mother’s grasp and fled.

    It was days before Verse found Joy hiding beneath a snowdrift, stiff and blue. She gathered her daughter into her arms and wept to see what had been done.  

    It was a thing Verse never wanted to do, a thing she never imagined she could:

    For the sake of embarrassment before the queen, she’d lashed out and torn her daughter’s wing.

    Though Verse treated this wound with kisses and sweet nothings, it remained. It festered and became a part of her daughter. Never to be undone.

    This is how Joy came to fly in circles, as happens with a broken wing. She stayed close to home to make herself safe, never venturing far to where other faeries might shun her.  

    And Verse knew all of life had changed. Nothing, nothing would ever be the same. The truth of her failure as a mother could and would never be undone.

    It was forever preserved in the Eternal Past.  

    Verse’s despair over this brought a bad moon. It leaked dim, chilled nightmares of what-might-have-been-but-now-will-never-be into her ear.

    Thereafter, Verse took up the habit of pulling her wings forward so that the tips covered her eyes like a veil. But she couldn’t hide her tears. They flowed and froze to stick out from her chin, not unlike a daggered beard. 

    “Dawn can never come,” she said over and again until the words formed a belief as solid and real as anything else.  This provoked suffering until Verse couldn’t help but to whisper into her snowy pine pillow—

    A Question Asked.

    “Why was I cruel to the one I love most?”

    Verse asked this of herself so many times that it came to sound like the knocking on a door.

    One early winter’s dusk, Verse sat upon a hollow log squeezing purple berries to make ink. Yet her mind dwelt upon Joy’s torn wing, wishing it were not so.

    By this time Verse had shed so many tears that she wore an astonishing beard of frozen daggers upon her chin.

    Looking up from her berries through bleary eyes, she caught sight of two white bears at play. Spirit-bears, faeries know them to be. Verse sneaked through the windswept mountains, following the spirit-bears to a branching river covered in black ice.

    She felt soothed and comfortable in the presence of the spirit-bears. But alas, the holy creatures found a hole in the river’s ice and slipped into the water to vanish.

    Verse kept vigil at the hole in the ice, gazing down into water black and rippling. She wondered that she could not see the white of the spirit-bears in the deep of the river and grew worried they had drowned.

    The wind ceased of a sudden. Verse felt chills along the fluted edges of her silver wings—never had she known a moment in the high icelands that did not blow with wintry winds.  

    A strange sense of something more than natural tingled upon her lips.

    It felt like being in a dream. Kissed.

    With the wind snuffed out, the water inside the ice hole became immovable and level as glass. Verse’s fingers trembled as she reached to dip a hand into the cold where the spirit-bears had gone, but the surface of the water was solid as stone.  

    A spell which Verse did not know that she knew escaped her lips. This sort of thing, a rare grace, happens to faeries less often than you might predict.

    “Alohooya brecken tre alayyaa ser wollyan.”

    A sheet of water framed by a twisting black veil lifted from the river. It stood itself upon the ice, three foxtails high. Verse tilted back her head to see. 

    Her exhaled breath snapped and popped with sparkles.

    She fell into wonder until the twisting veil reached to encircle her neck and flutter at her face.  Verse choked, and in a panic she pulled the black stuffing from her mouth.

    The looking-glass shivered. A mist gathered, which is a sure sign that what is past is about to make a reappearance.

    Verse’s knees went weak in dread at what she expected to see. But when the misty fog coalesced into a shape deep within the surface of the looking-glass, Verse saw it was not the bad day of the torn wing after all.  

    “Mother!” she blurted in surprise.

    But her mother within the looking-glass did not respond, for she was remembering her own bad mother’s day.

    The day of the caged aurora bee.

    “It’s my fault my daughter can fly no higher than the length of a foxtail,” her mother said as she huddled alone inside the looking-glass. “For I did harm to her with my cruel face and words.”   

    Verse witnessed her mother pull forward her wings so that the tips covered her eyes. Yet Verse knew she wept, for tears flowed down to form icicles like a beard of daggers on her mother’s chin.  

    The looking-glass shivered.

    Verse sat back on her faerie bottom, stunned. For behind the image of her mother stood another looking-glass and within it her grandmother, who wore an even more impressive beard of icicle daggers.   

    The looking-glass shivered bittersweet. 

    What Verse was given to see was this:

    The haunted past, grim and reaped. 

    Reflections within reflections. Looking-glass after looking-glass revealed itself in a descending serpentine gloom. Each held a mother faerie, an ancestor, framed by a veil and dressed in a river glass tomb.

    Verse saw that each faerie was wounded by a mother, each used a dagger of cruel words on a child, each veiled her face in shame, each wept and dripped tears of endless, heartbroken regret.

    “I know this pain,” Verse rasped, for she could barely breathe at seeing their grief so recognizably unmasked. She wept. Nodded.  

    “I understand you.”

    Though she didn’t know it, her voice passed through each looking-glass in a timeless translation for every mother and child to hear. And the translation went like this:

    “We are the same.”

    The looking-glass quaked. A new scene revealed itself to Verse in an unasked-for revelation:

    She was a being with billowing wings who had been born into this world.

    First there had been a heavenly ceremony, a sort of sending-off. There was an ancient cauldron. And the swallowing of a ladleful of stew to make her who she would seem to be. The ingredients included every pair of contraries known: courage and cowardice, hope and despair, generosity and greed. Love and fear. And more.

    It was a recipe called Faerie, with some beings getting more or less of this and that ingredient, depending on what measures of virtue and vice happened to be ladled up.

    There on the lonely ice by a winter’s river, Verse blinked. If a faerie’s qualities came of a ladleful of stew…if they were given, not chosen…

    Verse buckled when comprehension struck. Truth buzzed in her ears louder than any aurora bee.

    “We are innocent,” she exclaimed in astonishment. It was so shocking, she felt as if she might crack open.  

    “If this is true, before taking a swallow of stew, I am like
what, or who?”  

    She did not know.

    There was no ‘might’ about it now. Verse cracked open. But in a good way. An entirely new kind of knowledge, the kind that passes understanding, worked inside her in ways that could not be expressed or easily spoken. 

    Yet, it is fair to say it tasted of forgiveness-not-needed.

    A great wind came to blow away the bruised clouds in the sky. Verse looked over her shoulder.

    Rising out of the winter came a bright orange sun. Its rays illuminated each and every looking-glass. The daggers melted from the chins of all the mothers.

    This is how Verse came to see them as they were. And she knew she was like them. 

    A thrill more than natural lifted the wings of Verse. She flew higher than any conceivable number of foxtails.  

    With Joy.

     

    EPILOGUE

    Verse spent the next three hundred years digesting her share of an ancient stew. She took great care and responsibility to eliminate what tasted bad. Without complaint.

    She savored what tasted good from the stew and offered it to all others without discrimination, for there was no judgment inside her. This sharing made the flavor all the sweeter.

    Verse became a good steward of her life, of what she’d been given.

    And when the Seer took Verse’s frail hand upon her death, she viewed her entire life’s story of daggers and questions asked. It had all happened in a world that was, as it turned out, nothing more than a looking-glass filled with reflections of herself, for she was all the world.

    Please understand. This review of Verse’s life was not a judgment. Rather, it was a careful measuring.

    To be stirred back into the stew of an ancient cauldron.

    Such happens with the lives of faerie and non-fae folk alike. Each life lived out holds vast significance, for each life upon completion lends a flavor to EVERYONE who comes after.

    You may not have realized the potential and importance of your life, but now you know to pay attention. Because life is hard. And many are hurting.

     

    What is a life made of?

    Daggers, questions asked, and a world of looking-glass.

    That’s what a life is made of.

     

    And I say,

    It’s all right. 

    The past doesn’t exist, so drop your daggers of regret.

    Peer into the ancient cauldron and you’ll find no eternal past. This is because the recipe is constantly being changed. Herein lies grace: the stew is only ever as it is now.

    You are only ever as you are, Now. 

    Look!

    Here comes the sun.

     

    And now we bring The Beatles onstage… 🙂

    Here comes the sun, (doo doo doo doo)
    Here comes the sun, and I say
    It’s all right

    Little darling, it’s been a long cold lonely winter
    Little darling, it feels like years since it’s been here

    Here comes the sun, (doo doo doo doo)
    Here comes the sun, and I say
    It’s all right

    Little darling, the smile’s returning to their faces
    Little darling, it seems like years since it’s been here

    Here comes the sun, (doo doo doo doo)
    Here comes the sun, and I say
    It’s all right

    Sun, sun, sun, here it comes
    Sun, sun, sun, here it comes
    Sun, sun, sun, here it comes
    Sun, sun, sun, here it comes
    Sun, sun, sun, here it comes

    Little darling, I feel that ice is slowly melting
    Little darling, it seems like years since it’s been clear

    Here comes the sun, (doo doo doo doo)
    Here comes the sun, and I say
    It’s all right

    Here comes the sun, (doo doo doo doo)
    Here comes the sun
    It’s all right
    It’s all right

    (Songwriter: George Harrison. Here Comes the Sun lyrics © Concord Music Publishing LLC)

    An applicable quote: “…you are literally at the very edge of evolution itself, and thus your very thoughts and actions are contributing directly to the Form or structure of tomorrow—you are a genuine co-creator of a reality that every human being henceforth will pass through. Make sure, therefore, that to the extent that you can, always act from the deepest, widest, highest source in you that you can find…” ~ Philosopher Ken Wilber, from Integral Meditation

    A LAST NOTE: Besides my favorite song above, this Crone Tale is inspired by author Elizabeth Gilbert, who happens to be one of my all-time favorite crones. (Remember that when I say Crone I’m referring to the archetype of the Wise Woman.) In a social media post, she wrote of hearing women speak of how their mothers had inflicted (psychological) wounds upon them. 

    And Liz suggested this:

    Have mercy on the mothers.

     

    ~If you found meaning in this story (this looking-glass) you may wish to receive new Crone Tales for free by email. I write one or two a month. SUBSCRIBE HERE.

    Thank you ever so much for reading!

    PLEASE LEAVE A COMMENT BELOW SO THE CRONE CAN KNOW HOW HER TALE WAS RECEIVED 🙂 

     

    Featured image by Kinkate

    Image of bee by Anne-Marie Ridderhof

    Image of sad fairy by Hussein1

    Image of polar bears credit: <a href=’https://pngtree.com/so/animal’>animal png from pngtree.com</a>

    Image of looking-glass with veil credit: <a href=’https://pngtree.com/so/ink’>ink png from pngtree.com</a>

    Image of icicles by Nyeia

    Image of cauldron by Gretta Bartoli

    Image of sunrise by M. Maggs

     

  • CRONE TALES

    The Woman Who Grew Labyrinths, a fairy tale for enlightenment

    Grasses rustle and whisper secrets of what women will do for this world. Follow the crone as she walks in meadows, trailing words to encourage tiny creatures to come out and play. Stay close. For the crone will tell a tiny tale, meant to open our hearts and minds and make of us dragon butterflies.

    Find what meaning you will. 

     

     

     

     

    A PEASANT WOMAN PREFERRED ROAMING MEADOWS TO DOING WHAT NEEDED TO BE DONE. 

     

    Villagers treated her as they would a leper, for she was of no use to them. But perhaps no trouble, either. For she lived in a house no one else would: Its roof was a dragon’s hide with pointed scales for shingles, and dark smoke belched from its chimney most foul. 

    The house often leaned as if ready to take flight, its leathery shutters flapping to catch wind. Men waited in fright to see. And there the peasant woman would come, traipsing out her front door with bare feet in sinful manner. 

    “No man will marry her though she weeps for children,” village women would say. “And rightly so! For what good could come of a woman who roams?” But the merchant’s wife pitied the peasant woman and knocked upon her open door. Once inside, she saw table and floor heaped with seeds. 

    “The wind carries them through the flapping shutters,” the peasant woman explained as she washed a teacup in haste.   

    “I meant to befriend you,” whispered the merchant’s wife as she backed to the door. “But this is just too weird.” And she stumbled outside to watching villagers who laughed and cheered.    

    Shamed, the peasant woman set about to clean, filling her pockets with seeds. She made a bowl of her skirt to gather more, and in fear of more visits dumped them out her back door. There she noticed it was a beautiful day, which as usual she could not resist. 

    Out she went to roam the meadow, but her pockets hung heavy with seeds. She filled her palms and threw them as she danced with the wind, for she was starting to get a little dragon in her from living in the house. 

    She spread her arms like wings. She swooped and spun and dropped seeds. 

    When the villagers awoke the next morning, they were amazed to see a labyrinth of flowers grown in the meadow. High it loomed with singing birds and sweet scent! Children clapped hands and exhausted women did smile. It became the talk of the village and soon the next and the next. 

    Many made pilgrimage to see the bloomed labyrinth and walk to its center. “Verily, this is balm for what ails!” they declared. 

    One day the birds in the labyrinth sang warning to the peasant woman: The king’s men were coming to take her away. With trepidation she peeked through the blooms of her labyrinth to see a royal carriage arrived at her house. 

    “The king requires you at the castle,” the driver did say and whisked her away.  

    At castle court the king did not speak—it was his queen. “Pray, peasant woman, will you grow a labyrinth for me? For I am filled with stones and wish to walk among blooms for magic healing.” 

    As luck would have it, seeds filled the peasant woman’s pockets. She got to work right away, which is to say she roamed on the next windy day. Come morning, a most beautiful labyrinth of blooms grew before the castle. The queen was pleased. 

    “Pray, I wish to have my own magic as do you,” the queen confessed to the peasant woman in private. “But I fear I have none. If I do, what could it be?” 

    The peasant woman gave question in place of an answer. “My queen, what can you not resist?” 

    The queen blushed red and trembled. “It is wrong for me to say, but I cannot resist peeking over the shoulders of scribes. What good can come of it?”   

    The peasant woman lifted her chin and spoke most sincere. “My good queen, do not resist this urge which you fear. I suggest you find papyrus and quill and do what you will!” 

    The king overheard. In rage and terrible spittle, he ordered the peasant woman to the dungeon. But the queen’s servants freed the peasant woman under cover of night. She was put in a carriage and pretty horses galloped her home safe. This is not the end of our story. 

    Years later, birds brought news that the queen lost her head for daring to scribe. And the peasant woman cried, but then she laughed. For she knew the queen had roamed in her own way, with her own magic. No one could have guessed what happened next.  

    Women across the land heard tell of their beloved queen’s courage and took it to heart. They roamed for themselves, and Creation dawned good and wild once again. 

    How does it end for our peasant woman? With countless labyrinths, long white hair, and villagers treating her as they would a beloved mother. Her life turned out to be all she could have wished. It was nothing she expected, and every love she did not resist. 

     

    Heaven on earth comes like this.

     

     

  • CRONE TALES

    The Maiden Stuffed with Puppet Strings, a fairy tale for enlightenment

    Stoke the fire on this chill and leafy autumn night. Though you’re sleepy from our heavy meal, keep wide awake. The crone is ready to tell her tiny tale, so open you mind and heart and find what meaning you will.

     

     

    There was a maiden who was neither pretty nor good at heart, a calamity.

    Her tongue was sharp, and she found fault in others as a matter of course. This led to a glaring absence of suitors upon her father’s front porch.

    Every night she stared at the stars from her bedroom window and knew this: God had made her wrong.

    A traveling puppet show arrived in our maiden’s village one fine summer evening. As fate would have it, when the colorful curtain parted, a villain-puppet appeared which bore an uncanny physical resemblance to our maiden. Not only this. The villain-puppet called the other puppets bad names and was overall insufferable.

    Eyes turned in our maiden’s direction. Her name did float upon the warm and pleasant air, and there was much snickering laughter. At last, our maiden’s father and mother did rush away with tears and rosy faces.

    The maiden felt dizzy as her heart failed to beat. No part of her body would move, not even her lips. Fervently, she willed herself to vanish from the world, so great was her humiliation. An old crone moved beside her and asked why she did weep.

    “They all believe me to be the awful puppet!” our maiden whispered with rage.    

    “And so you are,” the crone agreed. “But notice how the villain-puppet knows not what it does. Puppets are not real. And yet this one pulls its own strings, no matter there is someone behind the curtain who wishes to do so. I suppose you had not noticed.” The crone eyed our maiden. “I can rid you of the puppet, but there is a price.”

    Our maiden first glared at the rude puppet which indeed pulled its own strings. Second she glared at the crone. “What does your foolish talk mean? Never mind. I only want to be rid of that puppet!” 

    “Then you must cough up every lie in which you have faith. I can help. Hold still.” The crone grasped our maiden’s chin, pried open her jaw, and shoved a hand and arm down our maiden’s throat. With a grunt, the crone yanked out a tangled wad of puppet strings, dropping them upon the ground. 

    Our maiden blinked in surprise. “I never knew I was a puppet!” 

    Without her swallowed puppet strings, our maiden had nothing to believe. All of sudden, she became someone entirely quiet and unknown. “All this time, I am what stands behind the curtain!” she blurted. 

    “And wanting to come out. This is true of everyone else as well,” added the wise crone. “Therefore, go, and call no one bad names.”

    After this, our maiden was set free. No longer did she entertain false notions that God had made herself or anyone else wrong. Puppets were not real! And so, it made good sense to come out from behind the curtain and be kind to all she met.

    Next a curious thing did happen: many in the village did cough up puppet strings. 

    Heaven on earth is like this.

     

     

    If an angel named Clarence visited you, and suddenly you were like George Bailey in It’s A Wonderful Life, with no history BUT ALSO WITH NO MEMORY


    Who would you be? Right here and now, who are you? If you can’t identify yourself by the curtain of your gender, name, personal history, talents, career, nothing at all—things get very quiet. The puppet collapses. And so, the curtain may as well come down.

    Enter the Real You.

    Be still, and sense into who you truly are. It will pass all your current understandings and take you into peace. And compassion. For our maiden forevermore was known to show great compassion to all who still believed in shame.

     

    A FEW RELEVANT QUOTES TO TAKE YOUR TIME AND PONDER:

     

    All the world’s a stage,

    And all the men and women merely players

    ~As You Like It, Shakespeare

     

    Then Jesus said, “Father, forgive them, for they do not know what they do.”

    ~Luke 23:34

     

    We are not human beings having a spiritual experience. We are spiritual beings having a human

    experience.

    ~Pierre Teilhard de Chardin 

     

    Your sacred space is where you can find yourself over and over again.

    ~ Joseph Campbell 

     

    “Enlightenment means waking up to what you truly are and then being that.”

    ~Adyashanti