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THE ICICLES OF VERSE, a fairy tale for enlightenment
Winter is here. Ice hides the sun and winds blow shadows dark and white. Build fire âneath the cauldron with forgotten spells to summon maiden, mother, and croneâfor here comes the night. A story is born. Listen.
Itâs up to you to find what meaning you will.
Not merely once upon a time, a being with billowing wings wished to be born into this world despite its threat of ice.Â
First came a heavenly ceremony, a sort of sending-off. The being ate a ladleful of stew from an ancient cauldron. And it was said:
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What are faeries made of?
Daggers, questions asked, and a world of looking-glass.
Thatâs what faeries are made of.
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The being fell asleep and a faerie wakened far, far away in the high icelands. Silver graced her tiny wings and a caterpillar’s silk draped her curled body. She exhaled sparkling breath in her faerie motherâs arms, content even as wind shrieked amongst the blue mountain peaks. Â
And she was named Verse.
Her mother told her all the sacred fae stories alongside a spitting fire. Verse learned of how the world beganâwater poured from The Foxglove in the sky to freeze into the shape of every form she could see. She knew that dreams were caused by moonlight catching in her pointed ear, and that everything she ever did would be preserved in the ice of the Eternal Past.Â
Verse often dreamed that she was made of daggers, questions asked, and a world of looking-glass. She had no idea what this meant but feared it.
The other faeries didnât like her much at all. When grumpy, Verse couldnât seem to stop herself from caving in the snow tunnels of hares. She often broke the strings of violins, wondering afterward why she had done such a thing. Perhaps worst of all, she had a talent for telling liesâsmooth as ice.
Verseâs virtue, however, surpassed her vice. For never had a daughter so loved her mother.Â
One day, Verse made a cage of permafrost twigs and entrapped an aurora bee to keep as her own.
It was this last stunt which brought about the Bad Day.
âWhat is wrong with you?â her mother cried out. Verse saw reproach and horror on her motherâs face at the sight of the imprisoned aurora bee.
After this, Verse could fly no higher off the frozen mountain than the length of a foxtail.Â
One hundred years passed to make Verse full-grown. It so happened that she was gifted a daughter of her own with sparkling breath. Looking upon the sweet babe in her arms, she crooned a faerie’s lullaby.
Verse hoped the babe would not be like her. She imagined for her child a lived life of good deeds, like in the old tales of the Butter Fly. Â
Carefully, she named her daughter Joy.Â
Many winters went by. One glittered and embittered blizzardâs night, Joy made a scene. She stood before the assembled faerie host and insulted the revered faerie queen.
âYour breath has lost its sparkle and you donât sound so almighty wise to me,â Joy smarted off.
A collective cry escaped the faerie host.
Joy looked about herself, uncertain. She knew she was a bad faerie, but never before had she seen so many stares and hands clutching at throats.Â
Frightened by what she had doneâby what she wasâshe turned to her mother, Verse, for help.
But her mother stood frozen, a fisted hand held to her open mouth. Â
Joy pretended. With a laugh, she turned to saunter away. But suddenly there her mother was, taking fast hold of her by the wing.
âWhat is wrong with you?â Verse hissed, her face gone blood pink.  Â
Joy’s eyes widened. She hardly recognized her mother, so fierce was her face. She knew the other faeries held no lasting fondness for her, but her mother had always lovedâŚ
With a lurch, Joy ripped herself free of her motherâs grasp and fled.
It was days before Verse found Joy hiding beneath a snowdrift, stiff and blue. She gathered her daughter into her arms and wept to see what had been done. Â
It was a thing Verse never wanted to do, a thing she never imagined she could:
For the sake of embarrassment before the queen, sheâd lashed out and torn her daughterâs wing.
Though Verse treated this wound with kisses and sweet nothings, it remained. It festered and became a part of her daughter. Never to be undone.
This is how Joy came to fly in circles, as happens with a broken wing. She stayed close to home to make herself safe, never venturing far to where other faeries might shun her. Â
And Verse knew all of life had changed. Nothing, nothing would ever be the same. The truth of her failure as a mother could and would never be undone.
It was forever preserved in the Eternal Past. Â
Verseâs despair over this brought a bad moon. It leaked dim, chilled nightmares of what-might-have-been-but-now-will-never-be into her ear.
Thereafter, Verse took up the habit of pulling her wings forward so that the tips covered her eyes like a veil. But she couldnât hide her tears. They flowed and froze to stick out from her chin, not unlike a daggered beard.Â
âDawn can never come,â she said over and again until the words formed a belief as solid and real as anything else. This provoked suffering until Verse couldn’t help but to whisper into her snowy pine pillowâ
A Question Asked.
âWhy was I cruel to the one I love most?â
Verse asked this of herself so many times that it came to sound like the knocking on a door.
One early winterâs dusk, Verse sat upon a hollow log squeezing purple berries to make ink. Yet her mind dwelt upon Joyâs torn wing, wishing it were not so.
By this time Verse had shed so many tears that she wore an astonishing beard of frozen daggers upon her chin.
Looking up from her berries through bleary eyes, she caught sight of two white bears at play. Spirit-bears, faeries know them to be. Verse sneaked through the windswept mountains, following the spirit-bears to a branching river covered in black ice.
She felt soothed and comfortable in the presence of the spirit-bears. But alas, the holy creatures found a hole in the riverâs ice and slipped into the water to vanish.
Verse kept vigil at the hole in the ice, gazing down into water black and rippling. She wondered that she could not see the white of the spirit-bears in the deep of the river and grew worried they had drowned.
The wind ceased of a sudden. Verse felt chills along the fluted edges of her silver wingsânever had she known a moment in the high icelands that did not blow with wintry winds. Â
A strange sense of something more than natural tingled upon her lips.
It felt like being in a dream. Kissed.
With the wind snuffed out, the water inside the ice hole became immovable and level as glass. Verseâs fingers trembled as she reached to dip a hand into the cold where the spirit-bears had gone, but the surface of the water was solid as stone. Â
A spell which Verse did not know that she knew escaped her lips. This sort of thing, a rare grace, happens to faeries less often than you might predict.
âAlohooya brecken tre alayyaa ser wollyan.â
A sheet of water framed by a twisting black veil lifted from the river. It stood itself upon the ice, three foxtails high. Verse tilted back her head to see.Â
Her exhaled breath snapped and popped with sparkles.
She fell into wonder until the twisting veil reached to encircle her neck and flutter at her face. Verse choked, and in a panic she pulled the black stuffing from her mouth.
The looking-glass shivered. A mist gathered, which is a sure sign that what is past is about to make a reappearance.
Verseâs knees went weak in dread at what she expected to see. But when the misty fog coalesced into a shape deep within the surface of the looking-glass, Verse saw it was not the bad day of the torn wing after all. Â
âMother!â she blurted in surprise.
But her mother within the looking-glass did not respond, for she was remembering her own bad motherâs day.
The day of the caged aurora bee.
âItâs my fault my daughter can fly no higher than the length of a foxtail,â her mother said as she huddled alone inside the looking-glass. âFor I did harm to her with my cruel face and words.â Â Â
Verse witnessed her mother pull forward her wings so that the tips covered her eyes. Yet Verse knew she wept, for tears flowed down to form icicles like a beard of daggers on her motherâs chin. Â
The looking-glass shivered.
Verse sat back on her faerie bottom, stunned. For behind the image of her mother stood another looking-glass and within it her grandmother, who wore an even more impressive beard of icicle daggers. Â Â
The looking-glass shivered bittersweet.Â
What Verse was given to see was this:
The haunted past, grim and reaped.Â
Reflections within reflections. Looking-glass after looking-glass revealed itself in a descending serpentine gloom. Each held a mother faerie, an ancestor, framed by a veil and dressed in a river glass tomb.
Verse saw that each faerie was wounded by a mother, each used a dagger of cruel words on a child, each veiled her face in shame, each wept and dripped tears of endless, heartbroken regret.
âI know this pain,â Verse rasped, for she could barely breathe at seeing their grief so recognizably unmasked. She wept. Nodded. Â
âI understand you.â
Though she didnât know it, her voice passed through each looking-glass in a timeless translation for every mother and child to hear. And the translation went like this:
âWe are the same.â
The looking-glass quaked. A new scene revealed itself to Verse in an unasked-for revelation:
She was a being with billowing wings who had been born into this world.
First there had been a heavenly ceremony, a sort of sending-off. There was an ancient cauldron. And the swallowing of a ladleful of stew to make her who she would seem to be. The ingredients included every pair of contraries known: courage and cowardice, hope and despair, generosity and greed. Love and fear. And more.
It was a recipe called Faerie, with some beings getting more or less of this and that ingredient, depending on what measures of virtue and vice happened to be ladled up.
There on the lonely ice by a winterâs river, Verse blinked. If a faerie’s qualities came of a ladleful of stew…if they were given, not chosen…
Verse buckled when comprehension struck. Truth buzzed in her ears louder than any aurora bee.
âWe are innocent,â she exclaimed in astonishment. It was so shocking, she felt as if she might crack open. Â
âIf this is true, before taking a swallow of stew, I am likeâŚwhat, or who?â Â
She did not know.
There was no âmightâ about it now. Verse cracked open. But in a good way. An entirely new kind of knowledge, the kind that passes understanding, worked inside her in ways that could not be expressed or easily spoken.Â
Yet, it is fair to say it tasted of forgiveness-not-needed.
A great wind came to blow away the bruised clouds in the sky. Verse looked over her shoulder.
Rising out of the winter came a bright orange sun. Its rays illuminated each and every looking-glass. The daggers melted from the chins of all the mothers.
This is how Verse came to see them as they were. And she knew she was like them.Â
A thrill more than natural lifted the wings of Verse. She flew higher than any conceivable number of foxtails. Â
With Joy.
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EPILOGUE
Verse spent the next three hundred years digesting her share of an ancient stew. She took great care and responsibility to eliminate what tasted bad. Without complaint.
She savored what tasted good from the stew and offered it to all others without discrimination, for there was no judgment inside her. This sharing made the flavor all the sweeter.
Verse became a good steward of her life, of what sheâd been given.
And when the Seer took Verseâs frail hand upon her death, she viewed her entire lifeâs story of daggers and questions asked. It had all happened in a world that was, as it turned out, nothing more than a looking-glass filled with reflections of herself, for she was all the world.
Please understand. This review of Verseâs life was not a judgment. Rather, it was a careful measuring.
To be stirred back into the stew of an ancient cauldron.
Such happens with the lives of faerie and non-fae folk alike. Each life lived out holds vast significance, for each life upon completion lends a flavor to EVERYONE who comes after.
You may not have realized the potential and importance of your life, but now you know to pay attention. Because life is hard. And many are hurting.
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What is a life made of?
Daggers, questions asked, and a world of looking-glass.
Thatâs what a life is made of.
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And I say,
Itâs all right.Â
The past doesnât exist, so drop your daggers of regret.
Peer into the ancient cauldron and youâll find no eternal past. This is because the recipe is constantly being changed. Herein lies grace: the stew is only ever as it is now.
You are only ever as you are, Now.Â
Look!
Here comes the sun.
And now we bring The Beatles onstage… đ
Here comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightLittle darling, it’s been a long cold lonely winter
Little darling, it feels like years since it’s been hereHere comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightLittle darling, the smile’s returning to their faces
Little darling, it seems like years since it’s been hereHere comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightSun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comes
Sun, sun, sun, here it comesLittle darling, I feel that ice is slowly melting
Little darling, it seems like years since it’s been clearHere comes the sun, (doo doo doo doo)
Here comes the sun, and I say
It’s all rightHere comes the sun, (doo doo doo doo)
Here comes the sun
It’s all right
It’s all right(Songwriter: George Harrison. Here Comes the Sun lyrics Š Concord Music Publishing LLC)
An applicable quote:Â “…you are literally at the very edge of evolution itself, and thus your very thoughts and actions are contributing directly to the Form or structure of tomorrow—you are a genuine co-creator of a reality that every human being henceforth will pass through. Make sure, therefore, that to the extent that you can, always act from the deepest, widest, highest source in you that you can find…” ~ Philosopher Ken Wilber, from Integral Meditation
A LAST NOTE: Besides my favorite song above, this Crone Tale is inspired by author Elizabeth Gilbert, who happens to be one of my all-time favorite crones. (Remember that when I say Crone I’m referring to the archetype of the Wise Woman.) In a social media post, she wrote of hearing women speak of how their mothers had inflicted (psychological) wounds upon them.Â
And Liz suggested this:
Have mercy on the mothers.
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~If you found meaning in this story (this looking-glass) you may wish to receive new Crone Tales for free by email. I write one or two a month. SUBSCRIBE HERE.
Thank you ever so much for reading!
PLEASE LEAVE A COMMENT BELOW SO THE CRONE CAN KNOW HOW HER TALE WAS RECEIVED đÂ
Featured image by Kinkate
Image of bee by Anne-Marie Ridderhof
Image of sad fairy by Hussein1
Image of polar bears credit: <a href=’https://pngtree.com/so/animal’>animal png from pngtree.com</a>
Image of looking-glass with veil credit: <a href=’https://pngtree.com/so/ink’>ink png from pngtree.com</a>
Image of icicles by Nyeia
Image of cauldron by Gretta Bartoli
Image of sunrise by M. Maggs
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The wife lost in the midwinter woods, a fairy tale for enlightenment
Stew simmers on the stove and a bright hearthâs fire burns. After a lone walk by pale starlight in the forest dark, the crone returns. She has a wintry tale in mind to tell. Listen. Find what meaning you will.
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There was a crone in need of shelter from the bite of a cold winterâs night. She came upon a village and knocked upon the door of a snowy cottage. Â
âI can offer a cup of hot pottage,â said the wife who lived there. Her eyes darted about. âBut then you must go, and quick.â She gestured to a pot that bubbled on a grate over the fire. Â
The crone lifted the first oniony spoonful to her cracked lips as the door banged open. The husband stopped in the doorway, a dead fox slung over his shoulders, and glared at his wife. âWhat is this? Who eats my food?â   Â
The crone gave clear answer. âI am a traveler in need of food and shelter for the night. In exchange I will bless this house.â
âYou are nothing more than a begging hag!â The husband grabbed hold of the crone and tossed her out the door. There she landed on her poor leg, snapping the bone. The crone made no sound but turned to look back. Fixing her eyes on the wife, she blew her a magic kiss. This is the end of the crone in our story. The night was too cold; Iâm sorry to tell you she died in the wind and the snow.
The next morning when the wife woke, it wasnât only with bruisesâthere was fur covering her face.
âThis is all your fault,â complained her husband. He pulled back a fist. âThat hag you let in surely threw a curse with that blown kiss!â The wife ran from the house. The husband gave chase, but she entered the midwinter wood where he dared not follow.
There the wife wandered lost in the white moonless forest in her gown and bare feet. Wind blew and trees leaned at the wife so that she shrieked to get away. This, on top of howling wolves. When a pale dawn arrived, she found a tree set apart from the rest, with a door set into the ancient wood atop gnarled roots.
She knocked, and when no one answered, she let herself inside the burrow.
Inside she discovered a table with chair, a small bed, and a hearth stacked with wood. Straightaway she made a fire to warm herself. Once her body stopped its shivering she climbed into the bed beneath the quilt, exhausted. The howling kept up, but then woods are meant to have wolves.
Our wife slept all day and back into the night. Once awake she quickened the fire and made herself a meal from a sack of seeds found in the cupboard. With her belly goodly filled, she set about tidying the tree burrow to clear its blanket of dust. This is how she found a hooded red cloak beneath the bed and soft boots that fit her feet.Â
âI wonder if I might stay,â she told the tree and heard its branches stir. Feeling cozy and most welcome, she decided not to return to her village for the time being, for who there would take kindly to her face with its fur?
By day she walked the white woods, talking all she pleased, giving her opinions to various trees on a myriad of things. Mushrooms grew in the snow for her to find. Winter berries, too. Once upon an evening a pack of wolves tracked her as she went along, but when she turned her furry face upon them, they bowed. After this she found rabbits left upon her doorstep. With these she made a tasty stew.
Each night she buried deep in her bedâs quilt and with drowsy eyes gazed at the hearthâs glowing embers. The burrowâs branches swished above her head and creaked most pleasant in the wind. She felt safe.
One day as our woman took a walk amidst flurries of snow, she noticed strange stitches in the sky. An unseen hand sewed more and more stitches until the heavens bruised black and blue. At last, she realized that the stitches were not stitches but birds. They made an awful sound like none other sheâd ever heard.
The ravens easily spied her bright red cloak moving swift in the white forest below. They dived from the sky, breaking branches to reach our woman and fly about her in a whirlwind of black wings. She fended off their sharp talons as she ran for her burrow. Once inside, she slammed the door only to fall back on her bottom as birds pelted into the wood. She heard her beloved tree groan with the weight of countless ravens landing upon its branches. This made her angry.
âWhat do you want?â she hollered through the door.
A solitary screeching voice bid her greeting and said:
âWe seek a rib!â
âA what?â
âA rib, a certain husbandâs wife, are you she? This wife must return to her husbandâs side from whence she came. Tell us the truth, what is your name? Do not lie, or we will know. A sorcererâs spell is cast upon us to tell us so.â
And then the unkindness of ravens shrieked in awful chorus over and again:
Please, if we donât find the rib,
We shall suffer the blame.
Must we peck out your eyes?
Just tell us your name!
Our woman clutched her ears, so horrible shrill did the ravens sing. She opened her lips to give her name to make the chorus stopâ
And couldnât be more surprised to find that she could not.
The notion of a name seemed absurd. How could she have one and whatever would it be? For her mind was as clear and vast as the sky, and she breathed into her lungs the traveling wind. Her being was no less deeply rooted than the standing trees. Her dreams moved with the moon, and she had rivers of lifeâs blood flowing within her veins. What had happened was this:
Sheâd become so wild sheâd forgotten her name!
Thatâs when she knew.
âI am of the earth, not of a man,â she said, astonished.
You should know that when any woman comes awake, she suddenly sees this exact same thing. Never mind old stories which proclaim that in the beginning woman was born of a man. Forgive my old womanâs laughter, but everyone knows it never happens that way. Â Â Â Â
Think on this and see. And ask what the purpose of men telling things backward might be!
As for our wild woman of the earth, she opened the burrow door and told the ravens: âI am most definitely not a rib. Not only that. I have no name to tell you that is wholly true. For I am me, but also wind and river and tree.â
The sorcererâs spell upon the birds made certain this confession was accepted as pure fact. âYou are not the rib we seek,â the birds shrieked and beat their wings to fly away and never come back. Â Â
Nameless. Wild. And free. Our woman delighted that she now possessed a knowing like none other sheâd had before. What this meant was this:
Sheâd never after be deceived.
What a very good thing! For when the sorcererâs ravens couldnât find what the husband wanted back, he gathered what courage he had and set out into the woods. Eventually he found the tree burrow and peered through its window to see a woman with a furry face tending a fire inside.
âYou must come home now,â he called out to her. For he was weary of burnt suppers.
Our wild woman opened the door in surprise. Looking into his eyes, she could see he had not changed. He was not wild as she but remained unnatural with false storiesâhe was tamed. This is how she knew it best to say nothing at all to him and went to shut the door. But firstâ
She offered him a wolfish grin.
And he ran all the way home.
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Okay, so this one is a smidgen longer than flash fiction is supposed to beâŚbut I couldnât cut any more words, my apologies!
A little commentary: This story is not at all meant to be anti-men. I have a husband and three sons whom I love and adore. No, itâs meant to point to equality, nothing more.
What isnât separate but is like unto all the world is just plain difficult to give a name, is it not? Just as our wild woman discovered.
And as, perhaps, may you. There is no need for you to âmake a nameâ for yourself. How much better to fall into the thrill of being whole by blending into all the beautiful world? You can choose to be:
Nameless. Wild. And free.
If you found meaning in this wild tale, I very much hope you subscribe to CRONE TALES.
I so love comments! You may leave one below:)
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The Skeleton Godmother with Pox, a fairy tale for enlightenment
Mice scurry in the village seeking bread and cheese. A crone with a basket drops crumbs, so soft is her heart for tiny things. And for you as well, no matter how insignificant you feel. Listen now to her tiny tale. Â
Find what meaning you will. Â
There was a ghost who was beginning to forget who she once was. Â
She lived in the house in which she died, looking out over the gardens of her estate from the triangle attic window. On occasion, her husband visited the attic and caught glimpses of her. This happened less often as time passed.
The day came when he could not see her at all, no matter how frantically she waved her arms during lightning storms.
A great terror assailed the ghost: Who was she now? No one! Both unseen and unheard. Not only that. There was nothing specific in all the world for her to do. She did not matter.
Who was she now? No one! This left her bereft.
One day she sat staring out her triangle attic window when she saw a skeleton picking blackberries from a bush. Lonely, she gave it a wave of her ghostly hand.
How startling it was to see the skeleton move like a flash! The ghost next heard a knock at the door. She drifted downstairs and called out in blood-curdling voice, âCome in if you will. I am a ghost and cannot open the door.â
The doorknob rattled. It turned ever so slow. Next the door opened with a creak and a glow. Â Â
There on the porch stood a skeleton with pox. The ghost recoiled, but upon closer inspection, she could see the pox spots were mere bits of blackberry stuck to its teeth and ribs. Still, it was a horrifying sight to have upon her porch.
Not wishing to be rude, the ghost warbled. âMay I ask who is calling?â
The skeleton chittered its teeth. To the ghostâs wonder, she realized she understood the chitter as speech. Â Â Â
âI am your skeleton godmother,â the poxy skeleton said, âhere to reveal your deepest wish.â
The ghost laughed.
The skeleton godmother plucked a stray briar from within its ribcage and held it aloft like a wand.
The ghost laughed.
And yet she wondered, did the skeleton speak true? After all, it did shine bright like a true godmother might. The ghost decided to give it a chance. âI already know my deepest wish,â she curdled. âI want to matter, to be seen and heard. Will you wave your briar wand and break this grief of being no more than a ghost in the world?â
Chittering with poetry most beautiful, the skeleton godmother flourished its briar wand. A great wind began to blow and twist. The house did lift in its blustery fist. Â
âLet it go,â the skeleton godmother chittered to finish its poetic incantation. âLET IT GO!â
I hope you understand how it is with ghosts. They are tied to the place in which they once lived. The ghost therefore had no choice. She hitched a ride upon nail and board. Caught in the twister, she came frightfully undone as she tumbled and soared. Â
The house was obliterated. The ghost was left with neither the features of her face, nor the shape of her body. This rendered her utterly unrecognizable in any ordinary way.
What she once was had been stripped clean.
She could not have been more stunned to discover what she really was.Â
Though nowhere in particular to be seen, she found herself sprinkled upon all things. And when she spoke, it was with the sounds of birdsong, wind, and rain.
And as for her husband, whom she loved so dearâŚ
He recognized and loved this truth of her as he never had before. When he smelled a flower, it was her. When rain slipped down the shingles of his house, it was her. When wisdom hooted outside his window, it was her.
How could she have known such a grace only ever happened by letting go of what she thought she once was? Pay attention, for this may happen to you:
What the ghost most feared, turned out to be a wish come true.
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Heaven on earth always surprises like this.
There is always a truer wish in your heart awaiting discovery. Be brave and know this: fear often heralds grand transformation.
Expect this transformation to take place within your awarenessâa new perception of what has always and already been true.
I wonderâŚmight you not be contained by your body, any more than the ghost turned out to be contained by hers? It does seem a bit far-fetched to believe our souls fit into our bodies, rather than the other way around. Donât you think?
Perhaps you are seen and heard and KNOWN on a scale you donât realize.
And never apart. Perhaps what you really are is everywhere.
Like fairy dust spread by a skeleton godmother.
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The Maiden Stuffed with Puppet Strings, a fairy tale for enlightenment
Stoke the fire on this chill and leafy autumn night. Though youâre sleepy from our heavy meal, keep wide awake. The crone is ready to tell her tiny tale, so open you mind and heart and find what meaning you will.
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There was a maiden who was neither pretty nor good at heart, a calamity.
Her tongue was sharp, and she found fault in others as a matter of course. This led to a glaring absence of suitors upon her fatherâs front porch.
Every night she stared at the stars from her bedroom window and knew this: God had made her wrong.
A traveling puppet show arrived in our maidenâs village one fine summer evening. As fate would have it, when the colorful curtain parted, a villain-puppet appeared which bore an uncanny physical resemblance to our maiden. Not only this. The villain-puppet called the other puppets bad names and was overall insufferable.
Eyes turned in our maidenâs direction. Her name did float upon the warm and pleasant air, and there was much snickering laughter. At last, our maidenâs father and mother did rush away with tears and rosy faces.
The maiden felt dizzy as her heart failed to beat. No part of her body would move, not even her lips. Fervently, she willed herself to vanish from the world, so great was her humiliation. An old crone moved beside her and asked why she did weep.
“They all believe me to be the awful puppet!” our maiden whispered with rage.  Â
âAnd so you are,” the crone agreed. “But notice how the villain-puppet knows not what it does. Puppets are not real. And yet this one pulls its own strings, no matter there is someone behind the curtain who wishes to do so. I suppose you had not noticed.” The crone eyed our maiden. “I can rid you of the puppet, but there is a price.”
Our maiden first glared at the rude puppet which indeed pulled its own strings. Second she glared at the crone. âWhat does your foolish talk mean? Never mind. I only want to be rid of that puppet!”Â
“Then you must cough up every lie in which you have faith. I can help. Hold still.” The crone grasped our maiden’s chin, pried open her jaw, and shoved a hand and arm down our maiden’s throat. With a grunt, the crone yanked out a tangled wad of puppet strings, dropping them upon the ground.Â
Our maiden blinked in surprise. “I never knew I was a puppet!”Â
Without her swallowed puppet strings, our maiden had nothing to believe. All of sudden, she became someone entirely quiet and unknown. âAll this time, I am what stands behind the curtain!â she blurted.Â
“And wanting to come out. This is true of everyone else as well,” added the wise crone. “Therefore, go, and call no one bad names.”
After this, our maiden was set free. No longer did she entertain false notions that God had made herself or anyone else wrong. Puppets were not real! And so, it made good sense to come out from behind the curtain and be kind to all she met.
Next a curious thing did happen: many in the village did cough up puppet strings.Â
Heaven on earth is like this.
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If an angel named Clarence visited you, and suddenly you were like George Bailey in Itâs A Wonderful Life, with no history BUT ALSO WITH NO MEMORYâŚ
Who would you be? Right here and now, who are you? If you canât identify yourself by the curtain of your gender, name, personal history, talents, career, nothing at allâthings get very quiet. The puppet collapses. And so, the curtain may as well come down.
Enter the Real You.
Be still, and sense into who you truly are. It will pass all your current understandings and take you into peace. And compassion. For our maiden forevermore was known to show great compassion to all who still believed in shame.
A FEW RELEVANT QUOTES TO TAKE YOUR TIME AND PONDER:
All the worldâs a stage,
And all the men and women merely players
~As You Like It, Shakespeare
Then Jesus said, âFather, forgive them, for they do not know what they do.â
~Luke 23:34
We are not human beings having a spiritual experience. We are spiritual beings having a human
experience.
~Pierre Teilhard de ChardinÂ
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Your sacred space is where you can find yourself over and over again.
~ Joseph CampbellÂ
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âEnlightenment means waking up to what you truly are and then being that.â
~Adyashanti